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| Title | Date | Module | Theatre of War | |
|---|---|---|---|---|
| "15" Howitzer" | 1916 | Personal Experiences | Western Front | |
| 27 Knots. HMS Melampus | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The 39th Stationary Hospital, Ascq, September 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| The 42nd Casualty Clearing Station, Douai, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| Abadan, Persia. Day | 1914-1918 | Visual Perspectives and Narratives | War at Sea; Middle East | |
| Abadan, Persia. Night | 1914-1918 | Visual Perspectives and Narratives | War at Sea; Middle East | |
| Abbeville | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Across My Vision, Comes a Scene / Of Home and Loved Ones Dear … | 14 May 1919 | Personal Experiences | Western Front | |
| The Administrator's Quarters, Queen Mary's Army Auxiliary Corps: Queen Mary Camp, Calais | n.d. | Visual Perspectives and Narratives | Western Front | |
| Admiral of the Fleet Sir John Jellicoe, GCM, OM, GCVO, 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| An Admiralty Oiler Loading Crude Oil at Abadan, Persia | 1914-1918 | Visual Perspectives and Narratives | War at Sea; Middle East | |
| An Admiralty Salvage Diver (1) | 1918 | Visual Perspectives and Narratives | War at Sea | |
| An Advanced Dressing Station in France, 1918 | 1919 | Visual Perspectives and Narratives | Western Front | |
| An Advanced Dressing-Station of the 36th Field Ambulance at Liéramont | 1918 | Visual Perspectives and Narratives | Western Front | |
| An Advanced Dressing-Station, France: Cars Supplied by the BRCS and Order of St John Assisting in the Evacuation of the Wounded | 1918 | Visual Perspectives and Narratives | Western Front | |
| An Aerial Fight | 1918 | Visual Perspectives and Narratives | War in the Air | |
| Aerial View of Kut, 22 July 1919 | 22 July 1919 | A Global Conflict | Middle East | |
| [Aerial Views of the City of Kut Al Amara and Scenes of Aerial Combat over the City] | 1919 | A Global Conflict | Middle East | |
| Aerodrome with Camouflaged Hangars | 1918 | Visual Perspectives and Narratives | Italian Front | |
| The Aerodrome, East Fortune, North Berwick, 1918. The Starting-point for British Airships of the North Sea Air Patrol | 1918 | Visual Perspectives and Narratives | War in the Air | |
| After the Battle | 1918 | Visual Perspectives and Narratives | Western Front | |
| After a Push | 1917 | Visual Perspectives and Narratives | Western Front | |
| Aircraft and Aerial Views, July 1919 | July 1919 | A Global Conflict | Middle East | |
| An Aircraft Assembly Shop, Hendon | 1918 | Visual Perspectives and Narratives | Home Front | |
| An Airman: Lieut R T C Hoidge, MC | 1917 | Visual Perspectives and Narratives | War in the Air | |
| Airship 23 | 1918 | Visual Perspectives and Narratives | War in the Air | |
| Airship 9 | 1918 | Visual Perspectives and Narratives | War in the Air | |
| Albert | n.d. | Personal Experiences | Western Front | |
| Albert – Bapaume Road, 1918 | 1918 | Visual Perspectives and Narratives | Western Front | |
| Aleppo Station: The station was burnt and the stores rendered valueless. Armoured motor-cars are in the buildings to the left. | 9 November 1918 | A Global Conflict | Middle East | |
| Aleppo, Syria | 1919 | Visual Perspectives and Narratives | Middle East | |
| Alexandra Sports Palace, London, Converted Into Winter Internment Camp | 1 November 1915 | A Global Conflict | Home Front | |
| Alexandrovsk (Caspian Sea): The destruction of the hostile fleet, May 21st 1919, by part of the British Caspian Squadron commanded by Commodore D Norris, CB, RN | 21 May 1919 | A Global Conflict | Eastern Front | |
| Ali Shargia, Tigris: "HMS MANTIS" | n.d. | A Global Conflict | Middle East | |
| All That Was Left of Péronne | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Ambulances | 1914-1918 | Visual Perspectives and Narratives | ||
| The American Battle Squadron in the Firth Of Forth, 1918: "New York" (Flagship), "Texas", "Florida", "Wyoming", "Delaware" | 1918 | Visual Perspectives and Narratives | War at Sea | |
| American Independence Day, London, 4th July 1918: Central Hall, Westminster. Mr Winston Churchill speaking: 'Germany must be beaten, must know she is beaten, must feel she is beaten.' | n.d. | A Global Conflict | Home Front | |
| American Submarine Chasers: Depôt ship "Leonidas" (USA) leaving Malta | n.d. | A Global Conflict | Italian Front | |
| American Troops at Southampton, Embarking for France | 1918 | Visual Perspectives and Narratives | Home Front | |
| American Troops Embarking, Southampton, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| "Amiens Cathedral" | 28 May 1919 | Personal Experiences | Western Front | |
| Among the Anti-aircraft Bursts at 20,000 feet above the Alps: A British Air Squadron crossing the Anglo-Austrian line along the River Piave, Italy, 1918 | 1918 | A Global Conflict | Italian Front | |
| Anti-Aircraft Gun | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Anzac Book: written and illustrated in Gallipoli by the men of Anzac | n.d. | Personal Experiences | Gallipoli; War at Sea | |
| Anzac Bulletin, 78 (New Issues), 80-95 | 5 July 1918 - 1 November 1918 | Personal Experiences | Gallipoli; Home Front; Middle East; Western Front | |
| Anzac Cove: Dawn, April 26th 1915 | 26 April 1915 | A Global Conflict | Gallipoli | |
| ANZAC Landing Place, Sketched Diagram of General Position Here, April 30th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The AOC Workshops Gazette, Number 30 | 30 September 1918 | Personal Experiences | ||
| The Appam, London Docks | 1916 | Visual Perspectives and Narratives | War at Sea | |
| Armenian Refugees Making Fly-nets | 22 June 1917 | Visual Perspectives and Narratives | ||
| An Armoured Cruiser, Showing Fracture. Divers Going Down to Investigate | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Army Post Office 3, Boulogne, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| Army Reconnaissance | 1919 | Visual Perspectives and Narratives | War in the Air | |
| "Arnewood". With the Guns West and East | n.d. | Personal Experiences | Asia and the Pacific; Middle East; Western Front | |
| Arquata: Italy. Ambulance Convoy: Italy | 1914-1918 | Visual Perspectives and Narratives | Italian Front | |
| Arras | 1918 | Visual Perspectives and Narratives | Western Front | |
| "Arras" | c.1919 | Personal Experiences | Western Front | |
| Arras Cathedral | n.d. | Visual Perspectives and Narratives | Western Front | |
| Arras in Flames | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Arras: From the Suburb of St Nicholas, Arras-Lens Road | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Arrival of the First Guns on the Carso Front, Italy, 1916 | 1917 | Visual Perspectives and Narratives | Italian Front | |
| The Arrival of the German Delegates: "HMS Queen Elizabeth", 15th November 1918. Night | 15 November 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Arrival of a Leave Train, Victoria Station, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| Arsuf: The Cavalry Dash Along the Sea Coast on the Morning of the 19th September 1918 | 19 September 1918 | Visual Perspectives and Narratives | Middle East | |
| Artillery Drivers in the Snow, Italian Front | 1914 | Visual Perspectives and Narratives | Italian Front | |
| Artillery Observation: BE2c Machines Over Hooge Ranging British Guns by Means of Wireless Telegraphy, 1915 | 1920 | Visual Perspectives and Narratives | War in the Air; Western Front | |
| "As d'atout – tank française" | 1917 | Personal Experiences | Western Front | |
| The Ascanian, Number 1 | May-July 1917 | Personal Experiences | War at Sea | |
| Ashar Creek | 1918 | A Global Conflict | Middle East | |
| Assyrian Refugees on the Road from Persia to Mesopotamia | n.d. | A Global Conflict | Middle East | |
| At Anchor in Mudros Bay | 1915 | A Global Conflict | Balkans | |
| At The Cross Roads, Bucquoi | n.d. | Visual Perspectives and Narratives | Western Front | |
| An Attack by Flame-Throwers | 1918 | Visual Perspectives and Narratives | ||
| Australia at War, with an Introduction by G.K. Chesterton | 1916-1917 | Personal Experiences | Western Front | |
| Australia in Palestine | 1919 | Personal Experiences | Middle East; War in the Air | |
| The Australian Division at Homs: Behind the mosque is the citadel, and to the right is the beginning of the Lebanon Range | 4 November 1918 | A Global Conflict | Middle East | |
| Australian Engineers Excavating a Well | 1 May 1918 | Visual Perspectives and Narratives | ||
| Australian Light Horse at Damascus | 2 October 1918 | A Global Conflict | Middle East | |
| Australians Bathing on V Beach, Gallipoli | 1915 | Visual Perspectives and Narratives | Middle East | |
| Australians: The Orderly Hands the Officer a Telegram from the Signal Station Near, and Waits | 2 July 1917 | Visual Perspectives and Narratives | ||
| Austrian Dugout Beyond Mount Grappa After the Italian Advance of October 1918 | 1 November 1918 | Visual Perspectives and Narratives | Italian Front | |
| Austrian Prisoners Driven in From the Austrian Lines, 1918 | 1918 | Visual Perspectives and Narratives | Italian Front | |
| Autograph book, E. Cooke, nursing sister, 56 Gen. Hospital, 1917-1918 | 1917-1918 | Personal Experiences | ||
| The Auxiliary Hospital, Children's House, Exeter Workhouse | 1918 | Visual Perspectives and Narratives | Home Front | |
| Awaiting Zeppelins. Sandringham, January 1915 | 1919 | Visual Perspectives and Narratives | Home Front | |
| Baalbec: Engineers removing the Kaiser's commemoration stone from the Temple of Apollo | n.d. | A Global Conflict | Middle East | |
| Back to Billets | 1917 | Visual Perspectives and Narratives | Western Front | |
| Bacteria: In the laboratory of a field hospital the London specialist and his assistant examine the contents of a test tube | 9 October 1917 | A Global Conflict | Home Front | |
| Bagdad, Babylon, Ninive | 1917 | Personal Experiences | ||
| Baghdad from the Air, 1919 | 1919 | A Global Conflict | Middle East | |
| Baghdad, 1919 | 1919 | A Global Conflict | Middle East | |
| Baghdad, 1919 | 1919 | Visual Perspectives and Narratives | Middle East | |
| The Bakeries, Dieppe, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| Baku, 1919: The main base of the British Caspian Fleet during the naval campaign on that inland sea | 1919 | A Global Conflict | Middle East | |
| The 'Balloon Deck' (i.e. Foredeck) with Balloon Deflated, July 28th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The Balloon Line, Somme, France | 1918 | Visual Perspectives and Narratives | War in the Air | |
| The Balloon Ship Hector with Kite Balloon Spotting Off the Left Flank at the Dardanelles Operations, 1915 | 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea; War in the Air | |
| The Bandstand' | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Bapaume Seen From an Aeroplane From 10,000 Feet | 1918 | Visual Perspectives and Narratives | Western Front | |
| A Bare Tree, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Base Camp, Cape Helles, Under Shell Fire, August 1915: The "SS River Clyde" is Seen Aground | August 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea | |
| Basra. Hospital Ships: Situated at the head of the Shatt-el-Arab. The junction of the Euphrates and Tigris. | n.d. | A Global Conflict | Middle East | |
| A Battery Shelled | Visual Perspectives and Narratives | Western Front | ||
| The Battle of the Landings - ANZAC - 5.15pm | 25 April 1915 | A Global Conflict | Gallipoli | |
| The Battle of the Landings - ANZAC - 6.30pm Looking East, April 25th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The Battle of the Landings - ANZAC - Evening, April 25th 1915 | 25 April 1915 | A Global Conflict | Gallipoli | |
| The Battle of the Landings – ANZAC – Night, April 25th 1915 | 1915 | Visual Perspectives and Narratives | War at Sea; Gallipoli | |
| The Battlefield Near Ypres; 'The Bluff' | 1917 | Visual Perspectives and Narratives | Western Front | |
| Battleship | October 1911 | Personal Experiences | Home Front | |
| Beaucourt Cemetery | 1917 | Visual Perspectives and Narratives | Western Front | |
| Beaulieucourt: Board Road to Bapaume, Outside 43CCS | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Bécordel Church | n.d. | Visual Perspectives and Narratives | Western Front | |
| Beds Ready for Inspection | 5 October 1915 | Visual Perspectives and Narratives | ||
| Beersheba: The Imperial Camel Corps Marching On Gaza | 4 November 1917 | A Global Conflict;Visual Perspectives and Narratives | Middle East | |
| Beles from Sal Grec de Popovo | n.d. | A Global Conflict | Balkans | |
| Between Decks | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Between Decks, HMS Coventry | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Big and Little: "HMS Glorious" and an ML. The Island of Inchkeith Under Snow | 1918 | Visual Perspectives and Narratives | War at Sea | |
| A Big Crane at Rosyth Placing a Gun on a Light Cruiser; Night | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Big Crater | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Big Liners, Aquitania and Mauretania in Use as Transports, 4.15pm, July 18th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The Big Push for Krithia and Achi-Baba, 12.50pm, April 28th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The 'Black Hole', Lille, (Fort Macdonald) | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Blacksmith. Chinese Labour Corps, France | n.d. | A Global Conflict | Western Front | |
| Blargies, Arms, France, 1917 | 1917 | Visual Perspectives and Narratives | Western Front | |
| Boje Legionów Polskich, Number 3 | 1914 | Personal Experiences | ||
| Bombardment of Bulgar Trenches: Doiran, Balkans. Pip Ridge, and Grande and Petite Couronnes | 1917 | A Global Conflict | Balkans | |
| The Bombing of Beyrout Harbour | n.d. | A Global Conflict | War at Sea | |
| A Bombing Post in the Snow | 1918 | Visual Perspectives and Narratives | Western Front | |
| BOURGES. La Cathédrale | n.d. | Personal Experiences | Western Front | |
| BOURGES. Place Planchal | n.d. | Personal Experiences | Western Front | |
| Bourlon Wood | 1918 | Visual Perspectives and Narratives | Western Front | |
| Boxers | n.d. | Visual Perspectives and Narratives | ||
| A BRCS and Order of St John Barge on the Tigris at Amara: BRCS and Order of St John Headquarters in the Distance | 1919 | A Global Conflict | Middle East | |
| A BRCS and Order of St John Hospital Ship and Barges on the Tigris | 1919 | A Global Conflict | Middle East | |
| The BRCS and Order of St John Hospital Ship Passing Through the Suez Canal | 1918 | Visual Perspectives and Narratives | Middle East | |
| A BRCS and Order of St John Motor Driver | 1919 | Visual Perspectives and Narratives | ||
| A BRCS and Order of St John Stretcher-Bearer | 1918 | Visual Perspectives and Narratives | ||
| BRCS and Order of St John Workers Attending Wounded on Their Arrival at Boulogne Station | 1918 | Visual Perspectives and Narratives | Western Front | |
| A BRCS and OSJJ Hospital Barge Orderly on the Tigris | 1919 | A Global Conflict | Middle East | |
| A BRCS and OSJJ Officer in Mesopotamia | 1919 | A Global Conflict | Middle East | |
| The BRCS Hospital at the Episcopal Modern Schools, Exeter | 1918 | Visual Perspectives and Narratives | Home Front | |
| Bridge Boy Repairing Flags | n.d. | Visual Perspectives and Narratives | ||
| The Bridge, HMS Melampus | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Brigadier-General Arthur M Asquith, DSO | 1918 | A Global Conflict | Home Front | |
| Brigadier-General B C Freyberg, VC, DSO | 1918 | A Global Conflict | Home Front | |
| Bringing in a Wounded Tommy | 1917 | Visual Perspectives and Narratives | Western Front | |
| British Artists at the Front | 1914-1918 | Personal Experiences | Home Front; Western Front; War in the Air; War at Sea | |
| British Maurice Farman Attacked by a German Fokker While Dropping Sacks of Corn on Kut-el-Amara During the Siege of 1916 | 1919 | Visual Perspectives and Narratives | Middle East | |
| British Mine-laying Submarines, Harwich, 1917 | 1917 | Visual Perspectives and Narratives | War at Sea | |
| British Monitors off the Coast of Palestine (M31) | n.d. | A Global Conflict | Middle East | |
| A British Pilot in a BE2C Approaching Hit Along the Course of the River Euphrates, July 1919 | 1919 | Visual Perspectives and Narratives | Middle East | |
| British Red Cross Ambulance, Italian Front, 1916 | 1918 | Visual Perspectives and Narratives | Italian Front | |
| British Scouts Leaving Their Aerodrome on Patrol, Over the Asiago Plateau, Italy, 1918 | 1918 | Visual Perspectives and Narratives | Italian Front; War in the Air | |
| The British Submarine K22 in Dry Dock at Rosyth: Winter | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Broken Transept: St Martin's, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Brought Down in Flames | 1917 | A Global Conflict | War in the Air | |
| Bully | n.d. | Visual Perspectives and Narratives | ||
| The Butte de Warlencourt | 1917 | Visual Perspectives and Narratives | Western Front | |
| By the Pass through the Lebanons at Damascus | 1919 | A Global Conflict | Middle East | |
| By the Pass Through the Lebanons at Damascus | 1919 | Visual Perspectives and Narratives | Middle East | |
| Cacolets: Wounded being Conveyed over the Hill of Judaea to the Casualty Clearing Station in Covered-In Stretchers (cacolets) on the Backs of Camels | 5 December 1917 | A Global Conflict | Middle East | |
| "The Cameronians; Scottish Rifles" | c.June 1916 | Personal Experiences | ||
| Camiers Road | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Camiers Siding: A VAD Convoy Unloading an Ambulance Train at Night After the Battle of the Somme | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Camp Echo. Halbmonatsschrift für das Douglas Prisoner of War Camp, Numbers 5-7 | October 1915 - December 1915 | Personal Experiences | Home Front | |
| Camp Entanglements Between Flers and Beaulencourt | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Camp for Turkish Prisoners of War, Imbros, June 6th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The Camp in the Orchard: Queen Mary's Auxiliary Corps Camp 1, Dieppe | n.d. | Visual Perspectives and Narratives | Western Front | |
| The Camp of the 42nd Casualty Clearing Station, Douai | 1919 | Visual Perspectives and Narratives | Western Front | |
| A Camp, Macedonia | 1914-1918 | Visual Perspectives and Narratives | Eastern Front | |
| The Campaign in Russia and the Estonian War of Independence. Album 2 | 1918-1920 | Visual Perspectives and Narratives | Eastern Front; Middle East; Home Front; War at Sea | |
| The Canteen at the Headquarters of the Joint War Council of the BRCS and Order of St John, 19 Berkeley Street, W London | 1918 | Visual Perspectives and Narratives | Home Front | |
| Cape Kephalo, Krusa Bay, Imbros: The base for the fleet operating against the Dardanelles | n.d. | A Global Conflict | Balkans | |
| Captain A Jacka, VC, MC and Bar | 1919 | A Global Conflict | Home Front | |
| Captain M E Nasmith, VC, RN | 1918 | A Global Conflict | Home Front | |
| The Captive | 1918 | Visual Perspectives and Narratives | Western Front | |
| Captured German Guns in the Mall, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| A Captured Howitzer At Fampoux | 1919 | Visual Perspectives and Narratives | Western Front | |
| Cartones de Raemaekers | n.d. | Personal Experiences | Western Front; War at Sea | |
| A Cast of the Memorial in York Minster to Major Herbert Augustine Carter, VC, killed in action in East Africa in 1916 | 1917 | A Global Conflict | Home Front | |
| The Cathedral, Arras | n.d. | Visual Perspectives and Narratives | Western Front | |
| Cavalry in the Coastal Sector | 19 September 1918 | Visual Perspectives and Narratives | ||
| The Cemetery At Mont St Eloi | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Censorship: Strand House, Portugal Street, London | 1918 | Visual Perspectives and Narratives | Home Front | |
| "Champagnes" | April 1917 | Personal Experiences | Western Front | |
| Charge of the 2nd Lancers at El Afuli: in the Valley of Armageddon, 5 am, Friday 20th September 1918 | 1918 | Visual Perspectives and Narratives | Middle East | |
| Château Rignant de l'Isle 1914 | 1914 | Visual Perspectives and Narratives | Western Front | |
| "The Chief" | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Chief Actors in the 'Pageant of the Dragon', Performed By The Chinese Labour Corps, Dannes | n.d. | A Global Conflict | Western Front | |
| Chinese Working in a Quarry | 1917 | Visual Perspectives and Narratives | ||
| Christmas Day in the London Bridge YMCA Canteen: HRH Princess Helena Victoria, Chairman of the Ladies' Auxiliary Committee of the YMCA is Standing by Mrs Norrie, CBE, Superintendant of the Canteen. Miss Ellen Terry is Sitting by the Table | 1920 | Visual Perspectives and Narratives | Home Front | |
| Christopher Wren Wing. Hampton Court Palace as a Hospital | 1914 | Visual Perspectives and Narratives | Home Front | |
| Church of England Marquee: 39th Stationary Hospital, Ascq | 1919 | Visual Perspectives and Narratives | Western Front | |
| The Church of England Tent, 39th Stationary Hospital, Ascq, September 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| The Church, Nieuport | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Citadel of Homs. Homs, a desert town between Damascus and Aleppo. The Australian Light Horse are bivouacked in the foreground. | 19 November 1918 | A Global Conflict | Middle East | |
| The City of Samarra and the Desert with River Tigris, 1919 | 1919 | A Global Conflict | Middle East | |
| Cliffs of Imbros, June 1915 | 1915 | Visual Perspectives and Narratives | Gallipoli | |
| The Cloth Hall, Ypres | n.d. | Visual Perspectives and Narratives | Western Front | |
| The Cloth Hall, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Cloth Hall, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Coaling at Sierra Leone | n.d. | A Global Conflict | Africa | |
| Collection of assorted romantic postcards | 1912; 1917-1919 | Personal Experiences | Western Front | |
| Collection of Belgian souvenir postcards | n.d. | Personal Experiences | Western Front | |
| Collection of German postcards | 1911; 1914-1915 | Personal Experiences | Western Front | |
| Collection of German postcards and greeting cards | 1915; 1917-1918 | Personal Experiences | Western Front | |
| Collection of Italian postcards and greeting cards | 1917-1918 | Personal Experiences | Western Front | |
| Collection of patriotic postcards | 1917-1918 | Personal Experiences | Western Front | |
| Collection of postcards and greeting cards relating to various holidays | 1915; 1918-1919 | Personal Experiences | Western Front | |
| Collection of postcards relating to US soldiers in France | n.d.; 1918-1919 | Personal Experiences | Western Front; War at Sea | |
| Collection of romantic British and other miscellaneous postcards | n.d. | Personal Experiences | Western Front | |
| Collection of romantic French and other miscellaneous postcards | n.d.; 1915; 1918 | Personal Experiences | Western Front | |
| Collection of Slavic postcards | n.d.; 1916 | Personal Experiences | Eastern Front | |
| Coloured Religious Pictures from Macedonia 1917 | 1917 | Visual Perspectives and Narratives | Balkans | |
| The Commandant | 1914-1918 | Visual Perspectives and Narratives | ||
| Company Lines by a Church, France c.1915 | 1915 | Visual Perspectives and Narratives | Western Front | |
| Con: Camp – Genoa | 1919 | Visual Perspectives and Narratives | Italian Front | |
| Concy-le-Château, Nord-Ouest | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Congleton War-Working Party | 1917 | Visual Perspectives and Narratives | Home Front | |
| A Convoy | 1918 | Visual Perspectives and Narratives | War at Sea; War in the Air | |
| A Convoy in the Channel | 1918 | Visual Perspectives and Narratives | War at Sea | |
| A Convoy, North Sea, 1918. From NS 7: Painted From an Airship off the Coast of Norway | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Cookhouse for the Officers' Mess, Rouen: The Deputy Controller's Camp: Administrator's Mess | n.d. | Visual Perspectives and Narratives | Western Front | |
| Cookhouse: HMS Maidstone, 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Cordial Factory, Ypres | n.d. | Visual Perspectives and Narratives | Western Front | |
| The Corner of Bernafay Wood | n.d. | Visual Perspectives and Narratives | Western Front | |
| A Corner of the Dockyard, Rosyth: Winter | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Counting-In at Five O'clock | 4 November 1915 | A Global Conflict | Home Front | |
| Crashed Aeroplane | 1918 | Visual Perspectives and Narratives | Western Front; War in the Air | |
| A Crashed Fokker at Villers-Bretonneux, France | 1918 | Visual Perspectives and Narratives | Western Front | |
| Crashed!: de Havilland 2 Single-seater Scout Shooting Down a Fokker Monoplane, Salonika | 1918 | Visual Perspectives and Narratives | War in the Air | |
| Ctesiphon, with an RNAS Seaplane | n.d. | A Global Conflict | Middle East | |
| Damascus | 1919 | A Global Conflict | Middle East | |
| Dame Maud McCarthy GBE RRC: The Matron-in-Chief in France of Queen Alexandra's Imperial Military Nursing Service | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Dame Rachel Crowdy RRC: The Principal Commander of the VADs | 1914-1918 | Visual Perspectives and Narratives | ||
| Dame Sidney Browne RRC: The Matron-in-Chief of the T F Nursing Service | 1914-1918 | Visual Perspectives and Narratives | ||
| Das Kriegstagbuch | 1 August - 10 December 1914 | Personal Experiences | ||
| A Dazzle Merchantman | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Dazzled Leave Ships, Boulogne | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Dazzled Oiler, with Escort | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Dazzled Transport Leaving Portsmouth Harbour, February 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| "Dazzled": A Camouflaged Battleship: "HMS Ramillies" in a Gale of Wind | 1918 | Visual Perspectives and Narratives | War at Sea | |
| A Dead German in a Trench | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Dead Sea: An Enemy Aeroplane over the Dead Sea, Palestine | 1920 | A Global Conflict;Visual Perspectives and Narratives | Middle East | |
| Deck of Manica Looking Aft, July 6th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The Defence of London Against Gothas: With a DH4 on Night Patrol Work Over the South-East Coast | 1919 | Visual Perspectives and Narratives | Home Front | |
| Defences Made From Barrels in a French Farmyard c.1915 | 1915 | Visual Perspectives and Narratives | Western Front | |
| Deraa. The Arab Welcome to the First Handley Page Machine to Arrive in Palestine, 22nd September 1918 | 22 September 1918 | Visual Perspectives and Narratives | Middle East; War in the Air | |
| Deraa: The Railway Junction Between the Palestine System and the Mecca-Hedjaz Railway | 1914-1918 | Visual Perspectives and Narratives | Middle East | |
| Derelict Tanks | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| A Desert Sentry: One of the Lancers on the listening post | 13 July 1917 | A Global Conflict | Middle East | |
| Destroyed Bridge, Carpathian Mountains, Roumanian Front | 1917 | A Global Conflict | Balkans | |
| A Destroyed Turkish Aerodrome at Rayak, Lebanon | 1920 | A Global Conflict | Middle East | |
| A Destroyer | 1918 | Visual Perspectives and Narratives | War at Sea | |
| A Destroyer in a Heavy Sea: From HMS Melampus | 1918 | Visual Perspectives and Narratives | War at Sea | |
| A Destroyer Torpedoed. (HMS Ullswater) | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Destroyers Hunting for Submarines Off the Peninsula, May 28th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The Destruction of an Austrian Machine in the Gorge of the Brenta Valley, Italy | 1918 | Visual Perspectives and Narratives | Italian Front; War in the Air | |
| Destruction of the German Raider 'Leopard' by His Majesty's Ships 'Achilles' and 'Dundee' | 1920 | Visual Perspectives and Narratives | War at Sea | |
| The Destruction of the Turkish Transport in the Gorge of the Wadi Fara, Palestine | 1920 | A Global Conflict | Middle East | |
| Detraining Horses | 1914-1918 | Visual Perspectives and Narratives | ||
| A Devastated Village, France c.1915 | 1915 | Visual Perspectives and Narratives | Western Front | |
| Deversoir: A military tug bringing in dhows for the night from the Bitter Lakes to the shelter of the Suez Canal | n.d. | A Global Conflict | Middle East | |
| Devonshire House 1918 : VAD Workers Filing Papers in the Ballroom | 1919 | Visual Perspectives and Narratives | Home Front | |
| Diary, William O'Sullivan Molony, 1913-1914 | 1913-1914 | Personal Experiences | ||
| The Dispatch (The Captain's Dugout) | 1917 | Visual Perspectives and Narratives | ||
| Divers at Work Repairing a Torpedoed Ship | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Dockyard, Portsmouth, 1918 | 1918 | Visual Perspectives and Narratives | Home Front; War at Sea | |
| The Doctor | 1916 | Visual Perspectives and Narratives | Western Front | |
| Dog Fight on the Italian Front, 27 June 1918 | 1918 | A Global Conflict | Italian Front | |
| The Doiran Front Seen from Sal Grec de Popovo | 1918 | Visual Perspectives and Narratives | Eastern Front | |
| Dop Dopter and D24. Two Tanks, Poelkapelle | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Dover Harbour 1918 | 1918 | Visual Perspectives and Narratives | Home Front; War at Sea | |
| Dover Harbour from the Parade, 1918 | 1918 | Visual Perspectives and Narratives | Home Front; War at Sea | |
| Down From the Line | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Drifting Mine | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Drinking Water, Mirova, Macedonia | 1914-1918 | Visual Perspectives and Narratives | Eastern Front | |
| Dug-outs in the Railway Embankment, Near Le Cateau | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Dump. XXIII Division, Volumes II & III | December 1916-1917 | Personal Experiences | Western Front | |
| Dutch landscapes | 15 December 1918 | Personal Experiences | Western Front | |
| The Dwina Relief Force Memorial | 1921 | A Global Conflict | Eastern Front | |
| E. 45: The Commander: Lieutenant-Commander J A Gaimes, DSO, RN | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Eagle Hut, Aldwych | 1914-1918 | Visual Perspectives and Narratives | Home Front | |
| Early Morning, Sleeping in Section 'C' | 4 October 1915 | A Global Conflict | Home Front | |
| East Entrance, St Martin's Cathedral, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| "Eglise bombardée de Fresne-en-Woerre" | n.d. | Personal Experiences | Western Front | |
| Elswick, 1917: Messrs Armstrong, Whitworth & Company | 1919 | Visual Perspectives and Narratives | Home Front | |
| The End: The Fore-cabin of "HMS Queen Elizabeth" with Admiral Beatty Reading the Terms of the Surrender of the German Navy, Rosyth, 16th November 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Enemy Bomb Plane, 6.45pm, April 30th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Engineers repairing the Railway near Homs | 18 March 1918 | A Global Conflict | Middle East | |
| England in France | n.d. | Personal Experiences | Home Front; Western Front | |
| Entering Damascus: Australians galloping along the Beyrout Road | 1 December 1918 | A Global Conflict | Middle East | |
| The Entrance, Dover Harbour, 1918: In the Foreground are the Harbour Protection Nets Against Enemy Submarines | 1918 | Visual Perspectives and Narratives | War at Sea; Home Front | |
| Epéhy, 1918 | 1918 | Visual Perspectives and Narratives | Western Front | |
| Epéhy: In a Sunken Roadway Near the Regimental Aid Post of the 7th Battalion Royal Sussex Regiment | 20 September 1918 | Visual Perspectives and Narratives | Western Front | |
| Epernay. The Result of a German Bomb | 1 July 1918 | Visual Perspectives and Narratives | Western Front | |
| Erecting a Camouflage Tree | 1919 | Visual Perspectives and Narratives | ||
| The Estaminet | 1918 | Visual Perspectives and Narratives | Western Front | |
| Etaples Hospital Siding: A VAD Convoy Unloading an Ambulance Train at Night | 1917 | Visual Perspectives and Narratives | Western Front | |
| Etaples: British Military Cemetery | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Evening Game of Chess | 11 November 1915 | Visual Perspectives and Narratives | ||
| Evening Quarters: The Look-out at Cannon Street Anti-Aircraft Station | 1917 | Visual Perspectives and Narratives | Home Front | |
| Evening, After a Push | 1919 | Visual Perspectives and Narratives | Western Front | |
| Existence | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Experimental Depot for Tanks, Dollis Hill, London, N.W. | 1918 | Visual Perspectives and Narratives | ||
| Fampoux | 1919 | Visual Perspectives and Narratives | Western Front | |
| The Fatha Position, Northern Mesopotamia: The Hill Defences Held by the Turks in 1918 | 1919 | Visual Perspectives and Narratives | Middle East | |
| Fay, c.1915 | 1915 | Visual Perspectives and Narratives | Western Front | |
| Field Artillery | n.d. | A Global Conflict | Middle East | |
| The Field of Passchendaele | 1917 | Visual Perspectives and Narratives | Western Front | |
| Field-Marshal Earl Haig | 1919 | Visual Perspectives and Narratives | ||
| The Fiery Furnace: Scene in the Oil Refinery, Abadan. Kurd Labourers Moving a Boiler | 1914-1918 | Visual Perspectives and Narratives | Middle East | |
| The First Anzac Jordan Bridge: Australian Light Horse crossing the swollen flood of the Jordan on the first pontoon bridge thrown across the river | 23 March 1918 | A Global Conflict;Visual Perspectives and Narratives | Middle East | |
| First Study for the Staff Train At Charing Cross Station (No 1881) | 1918 | Visual Perspectives and Narratives | Home Front | |
| The First Tractor at Jerusalem | 10 December 1917 | A Global Conflict | Middle East | |
| First World War Sketchbook, Volume 1 – 30th Division, Ailly to Bethancourt | n.d. | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Bray | n.d. | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Bray 27.5.16 | 27 May 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Bray sur Somme | 1915 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Bray sur Somme | May 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Breufey Farm Road, 18.6.16 | 18 June 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Communication Trench | n.d. | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – Dump Exploding 29 July 1916 | 29 July 1916 | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – From Back of Window at No 57 R Sacli Carmot, Bethune, 9.9.1916 | 9 September 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – From My Bedroom Window at Town Mayor's, Bray 5.6.16 | 5 June 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Landscape with Trench | n.d. | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – Looking Over Carnoy Towards Fricourt, June 22 1916 | 22 June 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Near Fricourt, 1916 | 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – Road with Cross | n.d. | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – Ruins | n.d. | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – A Sailing Boat at Sea | 30 August 1916 | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – Salvage | n.d. | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – Somewhere in France, Somme 1916 | 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – The Somme near Amiens, 13.4.16 | 13 April 1916 | Visual Perspectives and Narratives | Western Front | |
| First World War Sketchbook, Volume 1 – A Tank | n.d. | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – Unknown Soldier, Somme 1916 | 1916 | Visual Perspectives and Narratives | ||
| First World War Sketchbook, Volume 1 – Walking Wounded, Somme 1916 | 1916 | Visual Perspectives and Narratives | ||
| The First Zeppelin Seen From Piccadilly Circus, 8th September 1915 | 1915 | Visual Perspectives and Narratives | Home Front | |
| Flight Lieut A W Beauchamp-Proctor, VC, DSO, MC, DFC, RAF | 1920 | A Global Conflict | Home Front | |
| Flotta and Weddel Sound | 1916 | Visual Perspectives and Narratives | War at Sea | |
| Flying Above Kirkuk, Kurdistan, 1919 | 1919 | A Global Conflict | Middle East | |
| Flying Over the Desert at Sunset, Mesopotamia, 1919 | 1919 | Visual Perspectives and Narratives | Middle East | |
| The Food Queue | 1918 | Visual Perspectives and Narratives | Home Front | |
| For King and Country | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Forth Bridge, 1917. Bluejackets Landing | 1917 | Visual Perspectives and Narratives | War at Sea; Home Front | |
| Four Destroyers Steaming Past Us in Line Ahead, May 3rd 1915 | 1915 | Visual Perspectives and Narratives | War at Sea; Gallipoli | |
| The Four Military Representatives of the Supreme War Council, Versailles, their CO's, Secretaries, and Interpreters in Session | 1919 | A Global Conflict;Visual Perspectives and Narratives | Home Front | |
| France, 1917 | 1917 | Visual Perspectives and Narratives | Western Front | |
| Fraternity | 1920 | Visual Perspectives and Narratives | Western Front | |
| A French Highway | 1918 | Visual Perspectives and Narratives | Western Front | |
| French Warships in Beyrout Harbour | 31 October 1918 | A Global Conflict | Middle East | |
| From Ypres Ramparts | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Galleries of Large Dug-outs at Etaples | 1918 | Visual Perspectives and Narratives | Western Front | |
| Gallipoli – Preliminary Bombardments and Reconnaissances – Same Action Continuing, April 19th 1915 | 1915 | Visual Perspectives and Narratives | War at Sea; Gallipoli | |
| Gallipoli: 5.15pm, April 30th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Gassed | 1919 | Visual Perspectives and Narratives | Western Front | |
| Gassed and Wounded | 1918 | Visual Perspectives and Narratives | Western Front | |
| Gassed. 'In Arduis Fidelis' | 1919 | Visual Perspectives and Narratives | ||
| The Gates of a Château, Ransart | 1918 | Visual Perspectives and Narratives | Western Front | |
| Gaza Seen From the Air, Over British Lines on Ali Muntar Hill Looking Towards the Sea | 1919 | Visual Perspectives and Narratives | Middle East | |
| The Gehenna Gazette: being the summer members of the Hades Herald, the (un) official organ of the Inns of Court OTC | August 1917 | Personal Experiences | ||
| "Gen. Maude" | 1918 | Personal Experiences | Home Front | |
| General Cox | 5 June 1919 | A Global Conflict | Home Front | |
| General Di Robilant: Italian Military Representative on the Supreme War Council, Versailles | 1919 | A Global Conflict | Home Front | |
| General Position of Fleet Soon After Sunrise, May 18th 1915 | 9 May 1915 | A Global Conflict | Gallipoli | |
| General The Right Hon Jan Christian Smuts, PC, KC | 11 May 1917 | A Global Conflict | Home Front | |
| General Shea: Commanding the 60th Division | October 1918 | A Global Conflict | Middle East | |
| General Sir Emile Belin, KCB: French Permanent Military Representative, Supreme War Council. Versailles, Major-General of the Armies of the North and North-East | 1919 | A Global Conflict | Home Front | |
| General Sir W R Birdwood, GCMG, KCB, KCSI | 1919 | A Global Conflict | Home Front | |
| General Sir W R Marshall, KCB | 1919 | A Global Conflict | Home Front | |
| General Tasker Bliss: Military Representative of the United States of America at the Supreme War Council, Versailles | 1919 | A Global Conflict | Home Front | |
| A German Double Pill-box: Gheluvelt | January 1918 | Visual Perspectives and Narratives | Western Front | |
| German Dug-outs At Le Sars, Somme | n.d. | Visual Perspectives and Narratives | Western Front | |
| The German Fleet at Anchor Off Inchkeith, Firth of Forth: After the Surrender, 22nd November 1918 | 1919 | Visual Perspectives and Narratives | War at Sea | |
| A German Gunners' Shelter, Warlencourt | 1917 | Visual Perspectives and Narratives | Western Front | |
| German 'Planes Visiting Cassel | 1917 | Visual Perspectives and Narratives | Western Front; War in the Air | |
| German Star Shells: Men at the Guns Off the German Coast, 11th August 1918 | 11 August 1918 | Visual Perspectives and Narratives | War at Sea | |
| German Wounded, Le Havre, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| Gheluvelt Village: German Front Line | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Girls College, Péronne | 1917 | Visual Perspectives and Narratives | Western Front | |
| Gli Unni e Gli Altri | n.d. | Personal Experiences | ||
| The Golden Horseshoe. The Journal of the 37th Division, B.E.F | n.d. | Personal Experiences | Western Front | |
| The Good Samaritan Inn, Talaat-ed-Dumm: Halfway between Jericho and Jerusalem. The furthest hill with the trees on top is Mount Scopus | 8 May 1918 | A Global Conflict | Middle East | |
| "Good-bye-ee": Cassel | 1917 | Visual Perspectives and Narratives | Western Front | |
| Grand Place, Arras | n.d. | Visual Perspectives and Narratives | Western Front | |
| The Grand Priory of the Order of St John of Jerusalem in England, St John's Gate, Clerkenwell, EC | 1918 | Visual Perspectives and Narratives | Home Front | |
| A Grave in a Trench | 1917 | Visual Perspectives and Narratives | Western Front | |
| Graves at Kantarah: The Last Day of 1918 | 1918 | Visual Perspectives and Narratives | Middle East | |
| A Greaser. Admiralty Salvage Ship | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Great Landings - Gallipoli | 25 April 1915 | A Global Conflict | Gallipoli | |
| The Great Mine, La Boisselle | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Great War, Fourth Year | n.d. | Personal Experiences | Western Front; War in the Air | |
| A Grenadier Guardsman | 1917 | Visual Perspectives and Narratives | ||
| A Grey-day, Ypres, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| Grodova (?), railway bridge | 1918 | Personal Experiences | ||
| A Group of Soldiers | 1917 | Visual Perspectives and Narratives | ||
| A 'gufar' loaded with water-melons: the cauldron-like 'gufar' of Baghdad, probably the oldest vessel in the world, is a boat indigenous to the Tigris | n.d. | A Global Conflict | Middle East | |
| Gun Practice: HMS Canterbury | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Gun Preparation | n.d. | Visual Perspectives and Narratives | Western Front | |
| A Gunner | 1919 | Visual Perspectives and Narratives | ||
| A Gunner, RN | n.d. | Visual Perspectives and Narratives | War at Sea | |
| The Gunners' Shelter, Thiepval | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Guns | n.d. | Visual Perspectives and Narratives | Western Front | |
| The Guns of HMS Caesar 1919 : Off Constantinople, looking towards the Golden Horn | 1919 | A Global Conflict | Balkans | |
| The Guns, HMS Terror, 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| H.M.S Carnarvon Fonds | 1914-1915 | Personal Experiences | War at Sea | |
| "H.M.S. Hampshire" | n.d. | Personal Experiences | War at Sea | |
| "H.M.S. Thetis" | n.d. | Personal Experiences | War at Sea | |
| The Harvest of Battle | 1919 | Visual Perspectives and Narratives | Western Front | |
| Harvest, 1918 | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Harwich Force Leaving for Sea | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Harwich Gate Ships, Barrier, and Light Cruisers Under Searchlight | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Headquarters of the 29th Division, Gully Ravine, Cape Helles, Gallipoli | 1915 | Visual Perspectives and Narratives | Middle East | |
| Henry Howell's sketches of the activities of the 4th Canadian Field Ambulance in Europe during the First World War | 1915-1918 | A Global Conflict | Western Front | |
| A Highlander Passing a Grave | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Hindenburg Line and Nord Canal | 1914-1918 | Visual Perspectives and Narratives | Western Front; War in the Air | |
| HM Airship No 3, at Kingsnorth 1914 | 1914 | Visual Perspectives and Narratives | Home Front | |
| HM Submarine M1 off Sedd-el-Bahr: Salvage Operations in Progress on the Transport "River Clyde" | 1917 | Visual Perspectives and Narratives | Middle East; War at Sea | |
| HMS Ark Royal and Tender Alongside Her in Kephalos Bay, July 2nd 1915 | 1915 | A Global Conflict | Gallipoli | |
| HMS Ark Royal, April 26th 1915 | 1915 | A Global Conflict | Gallipoli | |
| HMS Castor. Wounded Received After The Battle Of Jutland, 31st May 1916 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| HMS Curlew | 1918 | Visual Perspectives and Narratives | War at Sea | |
| HMS Curlew | 1918 | Visual Perspectives and Narratives | War at Sea | |
| HMS Dalhousie at Basra | n.d. | A Global Conflict | Middle East | |
| HMS Danae | 1918 | Visual Perspectives and Narratives | War at Sea | |
| HMS Dunraven, VC, in Action Against the Submarine that Sank Her, 8th August 1917 | 8 August 1917 | Visual Perspectives and Narratives | War at Sea | |
| HMS Fearless | 1918 | Visual Perspectives and Narratives | War at Sea | |
| HMS Furious: Aerodrome Ship | 1919 | Visual Perspectives and Narratives | War at Sea; War in the Air | |
| HMS Hector, 3rd Kite Balloon Section Arriving, 3.35pm, July 9th 1915 | 1915 | A Global Conflict | Gallipoli | |
| HMS Lion at the Dogger Bank Action, 1915 | 1915 | Visual Perspectives and Narratives | War at Sea | |
| HMS Queen Elizabeth Shelling Forts, Dardanelles. The Attack on the Narrows, Gallipoli, 18th March, 1915 | 18 March 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea | |
| HMS Revenge In Dry Dock At Night, Portsmouth. The Work was Continued Through the Night by the Aid of Huge Flares | n.d. | Visual Perspectives and Narratives | War at Sea | |
| HMS Superb At Constantinople: "HMS Lord Nelson" and the French "Diderot" in the distance. Seaforth Highlanders marching along the quay. From "HMS Caesar". | 1919 | A Global Conflict | Balkans | |
| HMS Superb: Flagship of the Commander-in-Chief, Mediterranean, Leading the British Fleet to Constantinople, November, 1918 | November 1918 | Visual Perspectives and Narratives | Middle East; War at Sea | |
| HMS Triumph, April 26th 1915 | 26 April 1915 | A Global Conflict | Gallipoli | |
| Hodson's Horse at Aleppo: Encamped About a Mile From the Town, on the Alexandretta Road | 10 November 1918 | Visual Perspectives and Narratives | Middle East | |
| Hooge Crater Cemetery, Sanctuary Wood, Kemmel, Mount Royal | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Horse Lines | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Hospital at Mahemdia: For a mile along the beach stretch the tents of a Stationary Hospital. Beyond the boat is the screen of an open-air cinema. | 9 October 1917 | A Global Conflict | Middle East | |
| Hospital Barges in Flanders | 1919 | Visual Perspectives and Narratives | Western Front | |
| A Hospital Ship: Night | 1918 | Visual Perspectives and Narratives | War at Sea | |
| "Hotel de Ville – Arras" | 29 May 1919 | Personal Experiences | Western Front | |
| A House at Péronne | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Howitzer Firing | 15 July 1918 | Visual Perspectives and Narratives | Western Front | |
| A Howitzer Gun in Elevation | 1917 | Visual Perspectives and Narratives | ||
| Humorous postcards relating to life in the army and navy | n.d.; 1919 | Personal Experiences | Western Front | |
| "I Was There".With the Yanks on the Western Front 1917-19. Together with Verses by Hilmar R. Baukhage | 1917-1919 | Personal Experiences | Western Front | |
| Imbros, April 29th 1915 | 29 April 1915 | A Global Conflict | Gallipoli | |
| An Impression of Lens, France, Seen from an Aeroplane: The Anglo-German Front Line, 1918 | 1918 | Visual Perspectives and Narratives | Western Front | |
| An Improvised Dressing-station | 1914-1918 | Visual Perspectives and Narratives | ||
| An Improvised Laundry: Princess Beatrice Camp, Beaumarais, Calais | n.d. | Visual Perspectives and Narratives | Western Front | |
| In 'The Black Line', Battle Of Arras | n.d. | Visual Perspectives and Narratives | Western Front | |
| In an Ambulance: A VAD Lighting a Cigarette for a Patient | 1914-1918 | Visual Perspectives and Narratives | ||
| In Billets, Winter: Rations Up | 1921 | Visual Perspectives and Narratives | Western Front | |
| In Front of Hooge | n.d. | Visual Perspectives and Narratives | Western Front | |
| In the Gun Factory at Woolwich Arsenal, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| In Mudros Bay | 11 April 1915 | A Global Conflict | Balkans | |
| In Mudros Bay - Preparations Completed, April 23rd 1915 | 1915 | A Global Conflict | Balkans | |
| In Mudros Bay - Preparations for the First Assault, April 21st 1915 | 1915 | A Global Conflict | Balkans | |
| In the Oil Refinery, Abadan: Boilers | 1914-1918 | Visual Perspectives and Narratives | Middle East | |
| In the Oil Refinery, Abadan: Boilers | 1914-1918 | Visual Perspectives and Narratives | Middle East | |
| An Incident on the Western Front | 1918 | Visual Perspectives and Narratives | War in the Air; Western Front | |
| The Incubator. The Magazine of the 2nd Reserve Batallion RNVR, 63rd Royal Naval Division Reserves, Number 1 | September 1918 | Personal Experiences | ||
| Indian Army Wounded In Hospital in the Dome, Brighton | 1919 | Visual Perspectives and Narratives | Home Front | |
| An Indian Camp, Mesopotamia | 1919 | A Global Conflict | Middle East | |
| An Indian Camp, Mesopotamia | 1919 | Visual Perspectives and Narratives | Middle East | |
| Indian Prisoners escaped from the Turks | 8 November 1918 | A Global Conflict | Middle East | |
| Indians in Belgium | 1917 | Visual Perspectives and Narratives | Western Front | |
| Inside a Small Mine Crater, La Boisselle | 1917 | Visual Perspectives and Narratives | Western Front | |
| An Inspection of Scottish Troops at Sheikh Shabassi: The March Past | 30 October 1917 | A Global Conflict | Middle East | |
| Interior of a Dug-out at Gavrelle | 1927 | Visual Perspectives and Narratives | Western Front | |
| The Interior of a Garage, Boulogne | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Interior of a Hospital Tent | 1918 | Visual Perspectives and Narratives | Western Front | |
| Interior. St Martin's, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Irish Troops in the Judaean Hills Surprised By A Turkish Bombardment | 1919 | A Global Conflict | Middle East | |
| Italian Alpini Resting, 1918 | 1918 | A Global Conflict | Italian Front | |
| Italian Artists and the War: Ernest Brown & Phillips, The Leicester Galleries | June - July 1916 | Personal Experiences | Western Front | |
| Italians Leaving Padua on Account of the Raids, 1918 | 1918 | Visual Perspectives and Narratives | Italian Front; Home Front | |
| Ivan Alekseevich Vladimirov paintings: box 1 | 1919-1922 | A Global Conflict | Eastern Front | |
| Ivan Alekseevich Vladimirov paintings: box 2 | 1918-1923 | A Global Conflict | Eastern Front | |
| Ivan Alekseevich Vladimirov paintings: box 3 | 1918-1923 | A Global Conflict | Eastern Front | |
| Ivan Alekseevich Vladimirov watercolours: box 4 | 1918-1923 | A Global Conflict | Eastern Front | |
| J.R. Monsell Papers, sketches and drawings | 1914-1919 | Personal Experiences | Western Front | |
| J.R. Monsell Papers, sketches and drawings | 1914-1919 | Personal Experiences | Western Front | |
| The Japanese Cruiser Nishin with U-boats, Malta | 1914-1918 | Visual Perspectives and Narratives | War at Sea | |
| Jerusalem and the Dead Sea From an Aeroplane | 1 December 1919 | Visual Perspectives and Narratives | Middle East | |
| Julian Gould | 1899-1917 | Personal Experiences | Home Front; Western Front | |
| The Junction of the Struma and Butkovo Rivers: From a British Observation Balloon | 1917 | A Global Conflict | Balkans | |
| Kala Diveyra, Malta | 1914-1918 | Visual Perspectives and Narratives | War at Sea | |
| "Keep the home fires burning!" | n.d. | Personal Experiences | Western Front | |
| Kem Town: A Distant View From the Hill Above General Headquarters | 1919 | Visual Perspectives and Narratives | Eastern Front | |
| Kem: The Wooden Bridge Over the Kem River on the Murmansk-Petrograd Railway | 1919 | Visual Perspectives and Narratives | Eastern Front | |
| Kemmel Hill Seen from an Aeroplane | 1 July 1918 | Visual Perspectives and Narratives | Western Front | |
| Kephalo Bay, Imbros: With Wrecks of Dummy Ships Used at the Attack on the Dardanelles | 1914-1918 | Visual Perspectives and Narratives | Middle East; War at Sea | |
| King George's Hospital, Stamford Street, SE: The Largest Ward (71 Beds) | 1918 | Visual Perspectives and Narratives | Home Front | |
| King's Cross Anti-aircraft Gun In Action | 1917 | Visual Perspectives and Narratives | Home Front | |
| Kite Balloons, Roehampton, 1915 | 1915 | Visual Perspectives and Narratives | Home Front | |
| Kuneitra: Australians Setting Out From Kuneitra. On the Left is Mount Hermon | 1 October 1918 | Visual Perspectives and Narratives | Middle East | |
| Kut-el-Amara, 1919 | 1919 | A Global Conflict | Middle East | |
| Kut. Showing the Ruined Minaret | n.d. | A Global Conflict | Middle East | |
| The 'L' Press. Forging the Jacket of an 18-Inch Gun: Armstrong-Whitworth Works, Openshaw, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| La Bassée Canal | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Ladies' Army Remount Depôt, Russley Park, Wiltshire, 1918 | 1919 | Visual Perspectives and Narratives | Home Front | |
| Lady Henry's Crêche, Woolwich | 1919 | Visual Perspectives and Narratives | Home Front | |
| Lake Timsah: "HMS Euryalus" and the French Cruiser "Requin" from the Camp, Ismalia, May 1916 | 1 May 1916 | A Global Conflict | Middle East | |
| A Lancashire Fusilier | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Land Girl Ploughing | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Landing in Suvla Bay: Early Morning, 7 August 1915 | 7 August 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea | |
| Landing Survivors from a Torpedoed Ship | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Landscape Sketches, July 1919 | July 1919 | A Global Conflict | Middle East | |
| The Landscape, Hill 60 | 1918 | Visual Perspectives and Narratives | War in the Air; Western Front | |
| The Last Crusade | 17 September 1919 | Personal Experiences | Gallipoli; Middle East; War at Sea | |
| The Last Message | 1917 | Visual Perspectives and Narratives | ||
| Late German Light Cruiser Emden | January 1918 | A Global Conflict | War at Sea | |
| Le Havre, 1919: Nurse Billam and Sister Currier | 1919 | Visual Perspectives and Narratives | Western Front | |
| A Leaky Roof | 5 June 1916 | Visual Perspectives and Narratives | ||
| Legiony Polskie | n.d. | Personal Experiences | ||
| Leith, 1917 | 1917 | Visual Perspectives and Narratives | Home Front; War at Sea | |
| L'Enfer | 1921 | Visual Perspectives and Narratives | Western Front | |
| Lens 1918 | 1918 | Visual Perspectives and Narratives | Western Front | |
| Lens from the Air | 1918 | Visual Perspectives and Narratives | Western Front | |
| Les Armies Britanniques | n.d. | Personal Experiences | ||
| L'Esprit Satirique en France | n.d. | Personal Experiences | ||
| Lieut A P F Rhys Davids, DSO, MC. (1897-1917) | 1917 | Visual Perspectives and Narratives | War in the Air | |
| Lieut-General Sir William Riddell Birdwood, KCSI, KCMG, CB, CIE, DSO | 16 February 1917 | A Global Conflict | Home Front | |
| Lieutenant-Colonel T E Lawrence, CB, DSO, 1918 | October 1918 | A Global Conflict;Visual Perspectives and Narratives | Middle East | |
| Lieutenant-General Sir H G Chauvel, KCB, KCMG | 19 November 1918 | A Global Conflict | Home Front | |
| Life in Hallway, 1916 | 12 February 1916 | Visual Perspectives and Narratives | ||
| The Light Horse Resting: The Summer Camp of the Australian Light Horse Near Ramleh | 1 July 1918 | Visual Perspectives and Narratives | Middle East | |
| Lime-Burning in the Bitumen Region, Hit | n.d. | A Global Conflict | Middle East | |
| Liverpool: Merchantmen Signing on for Overseas Voyages | n.d. | Visual Perspectives and Narratives | War at Sea | |
| The Long Patrol: The Sergeant: Jim Liddy, Silver Miner from Broken Hill, New South Wales | 14 July 1917 | Visual Perspectives and Narratives | ||
| The Long Patrol: Wadi-um-Mukhsheib | 12 July 1917 | Visual Perspectives and Narratives | Middle East | |
| Looking Towards Montauban | n.d. | Visual Perspectives and Narratives | Western Front | |
| Loss of HMS Pathfinder, September 5th 1914 | 1920 | Visual Perspectives and Narratives | War at Sea | |
| "Louvain" | n.d. | Personal Experiences | Western Front | |
| Lucheux, Somme: A typical YMCA tent for Chinese labour parties | n.d. | A Global Conflict | Western Front | |
| Ludwig Dettmann portfolio | n.d. | A Global Conflict | Eastern Front | |
| The Magnificent St. Luke 1 | n.d. | Visual Perspectives and Narratives | ||
| The Main Dressing-Station of a Field Ambulance: Templeux-la-Fosse, 18th September 1918 | 18 September 1918 | Visual Perspectives and Narratives | Western Front | |
| The Main Street, Combles | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Main Street, Thiepval | 1917 | Visual Perspectives and Narratives | Western Front | |
| Major-General The Hon C Sackville-West, CMG: British Permanent Military Representative, Supreme War Council, Versailles | 1919 | A Global Conflict | Home Front | |
| Making Armour Plate | 1914-1918 | Visual Perspectives and Narratives | War at Sea | |
| A Man Thinking | 1917 | Visual Perspectives and Narratives | ||
| A Man with a Cigarette | 1917 | Visual Perspectives and Narratives | Western Front | |
| Märchen Ohne Worte | n.d. | Personal Experiences | ||
| A Marsh Arabs' Village in the Narrows, Tigris | n.d. | A Global Conflict | Middle East | |
| Marshal Foch, OM | 1 September 1918 | Visual Perspectives and Narratives | Western Front | |
| Medical Storeman: British Red Cross Society and Order of St John Medical Stores, Tottenham Court Road, London | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Mediterranean Convoy Passing Through the South Comino Channel, Malta | 1919 | Visual Perspectives and Narratives | War at Sea | |
| Men Marching at Night | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Menin Road | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Menin Road | June 1918 - February 1919 | Visual Perspectives and Narratives | Western Front | |
| A Merchant Ship off Deal | n.d. | Visual Perspectives and Narratives | War at Sea | |
| A Mesopotamian Railhead at the entrance to Persia | n.d. | A Global Conflict | Middle East | |
| Military Police: The Arab Quarter of Port Said is 'out of bounds'. Two soldiers encounter a military policeman. | 29 June 1917 | A Global Conflict | Middle East | |
| Military Policemen in Palestine, c.1918 | 1918 | Visual Perspectives and Narratives | Middle East | |
| The Mill, Arras | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Mill, Vlamertinghe | n.d. | Visual Perspectives and Narratives | Western Front | |
| A Mine Crater, Hill 60 | 1917 | Visual Perspectives and Narratives | Western Front | |
| Mine Craters at Albert, Seen From an Aeroplane, 1918 | 1918 | Visual Perspectives and Narratives | Western Front | |
| Mined, 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Mines and the Bapaume Road, La Boisselle | 1917 | Visual Perspectives and Narratives | Western Front | |
| Missionaries Playing Cards – Resting | 3 June 1916 | Visual Perspectives and Narratives | ||
| Missionaries Playing Cards – Resting | 2 June 1916 | Visual Perspectives and Narratives | ||
| An ML Recovering a Torpedo: "HMS Yarmouth" At Practice, January 1918 | January 1918 | Visual Perspectives and Narratives | War at Sea | |
| Modern War Paintings | November 1916 | Personal Experiences | War in the Air; Western Front | |
| Monitor 31 Bombarding Gaza | 1914-1918 | Visual Perspectives and Narratives | War at Sea; Middle East | |
| Monitor at Anchor in Bay, Imbros, 1.45pm, June 22nd 1915 | 1915 | A Global Conflict | Gallipoli | |
| A Monitor with 14-Inch Guns Shelling Yeni Sher Village and the Asiatic Batteries | 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea | |
| Monitors, Dover Harbour, 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| "Mont Saint Eloi – Pas de Calais" | July 1915 | Personal Experiences | Western Front | |
| Mont St Eloi | 1917 | Visual Perspectives and Narratives | Western Front | |
| Mont St Quentin and Péronne From Near Maisonette, 1918 | 1919 | Visual Perspectives and Narratives | Western Front | |
| Morning: Surrendered German Submarines, U-Boat Avenue, Harwich | 1914-1918 | Visual Perspectives and Narratives | Home Front; War at Sea | |
| Motor Launches | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Motor Transport Troops and German Prisoners. Chaulnes, Autumn 1918 | 1918 | Visual Perspectives and Narratives | Western Front | |
| Mount Hermon and Mount Sannin Above the Clouds | 1 March 1920 | Visual Perspectives and Narratives | Middle East | |
| Mr Poilu, notes and sketches with the fighting French | n.d. | Personal Experiences | Western Front | |
| Mud | 1919 | Visual Perspectives and Narratives | ||
| Mudros Bay | 10 April 1915 | A Global Conflict | Balkans | |
| The Mule Track | 15 July 1918 | Visual Perspectives and Narratives | Western Front | |
| A Munitions Factory, Newcastle, 1917 | 1917 | Visual Perspectives and Narratives | Home Front | |
| Mustard Gas: Two Sketches to Illustrate the Effects of Mustard Gas on Horses | 1914-1918 | Visual Perspectives and Narratives | ||
| My Sleeping Place | 29 October 1915 | Visual Perspectives and Narratives | ||
| "My thought and my heart" | 7 November 1918 | Personal Experiences | Western Front | |
| My War | n.d. | Personal Experiences | Western Front | |
| My Work Room, Cassel | 11 June 1917 | Visual Perspectives and Narratives | Western Front | |
| Nablous: Australian cavalry entering the ancient Shechem, the capital of Samaria | 21 September 1918 | A Global Conflict | Middle East | |
| The Naval Base, Granton: Twilight: Booms Guarding the Forth are Seen in the Distance | 1917 | Visual Perspectives and Narratives | War at Sea | |
| The Navy in Baghdad | 1918 | A Global Conflict | Middle East | |
| The NCO Pilot, RFC. (Flight Sergeant W G Bennett) | 1917 | Visual Perspectives and Narratives | War in the Air | |
| Near Hell-Fire Corner, Menin Road, Ypres | 1918 | Visual Perspectives and Narratives | Western Front | |
| Nebi Samwil: The First Sight of Jerusalem | 1917 | Visual Perspectives and Narratives | Middle East | |
| The 'Neuralia', Hospital Ship, Receiving Wounded Aboard, 6.15pm, July 21st 1915 | 1915 | A Global Conflict | Gallipoli | |
| New Year Souvenir of the Welsh Division New Year Souvenir. 2 Volumes | January 1917 - January 1918 | Personal Experiences | Western Front | |
| "Nieuport" | n.d. | Personal Experiences | Western Front | |
| Nieuport and Sea-Coast Seen From an Aeroplane | 1918 | Visual Perspectives and Narratives | Western Front | |
| A Night Impression of Navy House, Baghdad | February 1919 | A Global Conflict | Middle East | |
| Night, April 28th 1915 | 1915 | Visual Perspectives and Narratives | War at Sea; Gallipoli | |
| Nightfall: Zillebeke District | 1917 | Visual Perspectives and Narratives | Western Front | |
| Nile Steamers converted into Hospital Boats | n.d. | A Global Conflict | Middle East | |
| NO 3 GS, VAD Camp, Rouen, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| North Queensferry Signal Station: the First Battle Cruiser Squadron Seen From the Forth Bridge. Winter | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Nurse Cavell at Westminster Abbey: After the Armistice Her Body was Brought in State at Westminster Abbey, 15th May 1919 | 15 May 1919 | Visual Perspectives and Narratives | Home Front | |
| Nurse, Wounded Soldier and Child | 1915 | Visual Perspectives and Narratives | ||
| A Nursing Orderly (Indoor): Endell Street Military Hospital, London | 1914-1918 | Visual Perspectives and Narratives | Home Front | |
| Observation Balloons in France During the Somme Offensive of 1916 | n.d. | Visual Perspectives and Narratives | Western Front | |
| Observation of Fire | 1919 | Visual Perspectives and Narratives | Western Front | |
| Off Cape Helles, V Beach and Camp, 3.10pm, May 17th 1915 | 1915 | A Global Conflict | Gallipoli | |
| The Office of the Inland Water Transport | 25 June 1917 | A Global Conflict | Middle East | |
| An Officer of a ML About to Board a Norwegian Steamer | 1914 | Visual Perspectives and Narratives | War at Sea | |
| The Officers' Ward at the 41st Casualty Clearing Station | 1918 | Visual Perspectives and Narratives | Western Front | |
| Old Bivouacs | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Old German Front Line, Arras, 1916 | 1916 | Visual Perspectives and Narratives | Western Front | |
| Olympia in War Time: Royal Army Clothing Depot | 1918 | Visual Perspectives and Narratives | Home Front | |
| On the Departure Platform, Victoria Station | 1918 | Visual Perspectives and Narratives | Home Front | |
| On the Plain of Esdraelon: Night: With the 14th Australian Light Horse | 23 November 1918 | A Global Conflict | Middle East | |
| Oppy Wood, 1917. Evening | 1918 | Visual Perspectives and Narratives | Western Front | |
| Ordnance Tent Repair Shops, Calais | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Ostend: Zee Station | 1914-1918 | Visual Perspectives and Narratives | War in the Air; Western Front | |
| Our Destroyers Hunting Enemy Submarine, July 9th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Our Submarine E14 Returning from a Most Daring Raid into the Sea of Marmara, Kephalos Bay, 3.45pm, July 3rd 1915 | 1915 | A Global Conflict | Gallipoli | |
| Outposts on the Damascus-Beyrout Road: The camp of the 14th ALH near Adana, about 9 miles from Damascus | 12 December 1918 | A Global Conflict | Middle East | |
| Outside Charing Cross Station, July 1916. Casualties from the Battle of the Somme Arriving in London | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Outskirts of Lens: In the Foreground are the Ruins of the Mine Buildings Known as Fosse-St Louis | 1919 | Visual Perspectives and Narratives | Western Front | |
| Over The Top | n.d. | Visual Perspectives and Narratives | Western Front | |
| "Over The Top". 1st Artists' Rifles at Marcoing, 30th December 1917 | 1918 | Visual Perspectives and Narratives | Western Front | |
| "Ovillers – Somme" | 1917 | Personal Experiences | Western Front | |
| The P.O.W. Bathing Section | 1 September 1915 | A Global Conflict | Middle East | |
| P.O.W. Elected Captain's Section | 1 August 1915 | A Global Conflict | Middle East | |
| P.O.W. Tailor Workshop In Hallway | 2 November 1915 | A Global Conflict | Home Front | |
| Panorama Sketch of position from No 21 Mountain Battery, Gallipoli | 5 May 1915 | A Global Conflict | Gallipoli | |
| Panoramas and Pencil Sketches of the Western Front [1] | c.1914-1916 | A Global Conflict | Western Front | |
| Panoramas and Pencil Sketches of the Western Front [2] | 1915 | A Global Conflict | Western Front | |
| Panoramas and Pencil Sketches of the Western Front [3] | 1915 | A Global Conflict | Western Front | |
| Panoramas and Pencil Sketches of the Western Front [4] | n.d. | A Global Conflict | Western Front | |
| Panoramas and Pencil Sketches of the Western Front [5] | 1918 | A Global Conflict | Western Front | |
| Panoramas and Pencil Sketches of the Western Front [6] | 1915 | A Global Conflict | Western Front | |
| Papers of Charles H. Bowering | 1915-1919 | Personal Experiences | War at Sea | |
| Papers of Humphrey K.B. Nevinson | 1914-1915 | Personal Experiences | Middle East; Gallipoli | |
| Papers of Jean Deffez | 1914-1915 | Personal Experiences | War at Sea; Gallipoli | |
| Papers of Lieut. Gerald Caldwell Siordet, 13th Rifle Brigade | n.d. | Personal Experiences | Western Front | |
| Papers of Lt. Col. C.F. Healey, Dublin Fusiliers | 1914-1919 | Personal Experiences | Western Front | |
| Papers of Robert Coe, Royal Engineers | 1916-1918 | Personal Experiences | Home Front | |
| Papers of W.J. Russell | 1914-1916 | Personal Experiences | Western Front | |
| Parkeston, 1917. A Destroyer Base At Harwich | 1917 | Visual Perspectives and Narratives | War at Sea | |
| Passing Interest: Wrecked Ironworks on the Somme | n.d. | Visual Perspectives and Narratives | Western Front | |
| Paths of Glory | 1917 | Visual Perspectives and Narratives | Western Front | |
| Pay Night, Rosyth: Winter | 1918 | Visual Perspectives and Narratives | War at Sea; Home Front | |
| A Peace Conference at the Quai d'Orsay | 1919 | A Global Conflict | Western Front | |
| The Peace Procession, 19 July 1919 (The VADS) | 19 July 1919 | Visual Perspectives and Narratives | Home Front | |
| Per Mare, Per Terram: British Sea-planes Flying from Gallipoli to Otranto | 1914-1918 | Visual Perspectives and Narratives | War in the Air; Gallipoli | |
| A Petrol Dump at Tripoli | 30 November 1918 | A Global Conflict | Middle East | |
| Petty Officer E Pitcher VC, 1918 | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Petty Officer Pitcher VC | 1914-1918 | Visual Perspectives and Narratives | War at Sea | |
| Photograph postcards of Russia | n.d. | Personal Experiences | Eastern Front | |
| Photograph postcards relating to miscellaneous parades and ceremonies | n.d.; 1917-1919 | Personal Experiences | Western Front | |
| Photograph postcards relating to the United States navy | n.d.; 1913; 1917-1919 | Personal Experiences | War at Sea; Western Front | |
| Photograph postcards – portraits of military and political leaders | 1915-1919 | Personal Experiences | Western Front | |
| Photographs (26) of Tsingtao Expedition and Anglo-Japanese Naval Operations | 1914 | A Global Conflict | Asia and the Pacific | |
| Photographs and postcards of King Albert I and Queen Elisabeth of Belgium and their children during World War I [includes art prints of civilians] | n.d. | A Global Conflict | Western Front; Home Front | |
| A Pill-box in the Hindenburg Line Near Fontaine-les-Croisilles, Captured by the Royal Naval Division | 1918 | Visual Perspectives and Narratives | Western Front | |
| Plan of Ruhleben Camp: Key to panoramic view | n.d. | A Global Conflict | Western Front | |
| The Platform Canteen, Victoria Station | 1918 | Visual Perspectives and Narratives | Home Front | |
| Poilu and Tommy | 1917 | Visual Perspectives and Narratives | Western Front | |
| Poperinghe | n.d. | Visual Perspectives and Narratives | Western Front | |
| The Port of Constantinople : The Guns of "HMS Caesar" | 1919 | Visual Perspectives and Narratives | War at Sea; Middle East | |
| Portrait of a Soldier – A Posthumous Portrait Drawing (From Photograph) of Private H Blanchard, Killed in 1916 | 1917 | Visual Perspectives and Narratives | ||
| The Postal Censorship, Strand House: Censoring Letters To and From Enemy Prisoners of War. In the Background are Col Creagh, Censor, and Mr A O T Bennett, Deputy Assistant Censor | 1918 | Visual Perspectives and Narratives | Home Front | |
| Postcard relating to Austria-Hungary | n.d. | Personal Experiences | Eastern Front | |
| Postcards featuring artwork | n.d. | Personal Experiences | Western Front | |
| Postcards featuring assorted artwork | 1914-1918 | Personal Experiences | Western Front | |
| Postcards featuring fragments of the "Panthéon de la guerre" | 1918 | Personal Experiences | Western Front | |
| Postcards relating to the British naval war effort | n.d. | Personal Experiences | War at Sea; Western Front | |
| Postcards relating to the French naval war effort | 18 March 1915; 5 July 1917 | Personal Experiences | War at Sea; Western Front | |
| Postcards relating to the German naval war effort | n.d. | Personal Experiences | War at Sea; Western Front | |
| Postcards relating to the troop ship and steamship S.S. Leviathan | n.d.; April 1919 | Personal Experiences | War at Sea; Western Front | |
| Postcards show views from 1918 of the panorama painting Panthéon de la guerre depicting allied participation in the first World War | 1918 | Personal Experiences | ||
| Pozières: An Australian Episode | n.d. | Visual Perspectives and Narratives | Western Front | |
| Prince's Skating Rink, Knightsbridge, London, During the War: British Red Cross Society Store | 1918 | Visual Perspectives and Narratives | Home Front | |
| Princess Beatrice Camp, Queen Mary's Army Auxiliary Corps: Beaumarais, Calais | n.d. | Visual Perspectives and Narratives | Western Front | |
| Private James Crichton, VC | 1919 | A Global Conflict | Home Front | |
| Pulham Patrol, Volume 1, Numbers 4, 5, 9, 10 | December 1917 - November 1918 | Personal Experiences | War at Sea | |
| A Pumping Station | 21 July 1917 | Visual Perspectives and Narratives | Middle East | |
| A Punjab Sentry, Arsuf | September 1918 | Visual Perspectives and Narratives | Middle East | |
| Punjabis Marching | 1 September 1918 | Visual Perspectives and Narratives | Middle East | |
| The Purchase of Horses in America – 1 | 1914-1918 | Visual Perspectives and Narratives | ||
| The QMAAC Convalescent Home, Le Touquet, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| QMAAC Cookhouse, Rouxmesnil, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| The Quarter-deck | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Queen Mary's Army Auxiliary Corps Drivers, Audax, Rouen: Forewoman King and Driver Virtue | n.d. | Visual Perspectives and Narratives | Western Front | |
| Queen Mary's Army Auxiliary Corps Mechanics in the Engine Repair Shop, Rouen Area: Worker Weston in Foreground | n.d. | Visual Perspectives and Narratives | Western Front | |
| Queen Mary's Army Auxiliary Corps Signallers, Base Hill, Rouen: Telephones. Forewoman Milnes and Captain Pope | n.d. | Visual Perspectives and Narratives | Western Front | |
| Queen Mary's Army Auxiliary Corps Storekeepers: Soquence, Havre | n.d. | Visual Perspectives and Narratives | Western Front | |
| Queen Mary's Army Auxiliary Corps: Tending Graves at Wimereux Cemetery | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Queen's Hospital for Facial Injuries, Frognal, Sidcup: The Carpenters' Shop | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Queen's Hospital for Facial Injuries, Frognal, Sidcup: The Commercial Class | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Queen's Hospital for Facial Injuries, Frognal, Sidcup: The Dental Mechanics' Class | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Queen's Hospital for Facial Injuries, Frognal, Sidcup: The Operating Theatre | 1918 | Visual Perspectives and Narratives | Home Front | |
| R 34' and 'R 29' in the Shed at East Fortune | 1919 | Visual Perspectives and Narratives | War in the Air; Home Front | |
| R.N.A.S. Roehampton, August 1917 | 1917 | Visual Perspectives and Narratives | Home Front | |
| Raemaekers' Cartoon History of the War: Volume 1 | 1914 | Personal Experiences | Western Front | |
| Raemaekers' Cartoons. Land & Water Edition: Complete in 26 Parts | n.d. | Personal Experiences | ||
| Rain: Lake Zillebeke | 1918 | Visual Perspectives and Narratives | Western Front | |
| The RAMC in Training, Blackpool: The Church of England Tent | 1918 | Visual Perspectives and Narratives | Home Front | |
| The RAMC in Training, Blackpool: The Depôt Incinerator | 1918 | Visual Perspectives and Narratives | Home Front | |
| The RAMC in Training, Blackpool: The Medical Inspection Room and Dispensary | 1918 | Visual Perspectives and Narratives | Home Front | |
| The RAMC in Training, Blackpool: The Officers' School of Instruction | 1918 | Visual Perspectives and Narratives | Home Front | |
| An RAMC Sergeant-Major | 1919 | Visual Perspectives and Narratives | ||
| An RAMC Squad with Infantry: Night at Nurlu, October 1918 | October 1918 | Visual Perspectives and Narratives | Western Front | |
| RAMC Stretcher-Bearer, Fully Equipped | 1919 | Visual Perspectives and Narratives | ||
| A Rangefinder in Action, August 1918 | 1 August 1918 | Visual Perspectives and Narratives | War at Sea | |
| Reception of the Wounded at the 41st Casualty Clearing Station, Le Cateau, During the British Advance in October 1918 | 1 October 1918 | Visual Perspectives and Narratives | Western Front | |
| Red Cross Hostel, Rouen, 1919 | 1919 | Visual Perspectives and Narratives | Western Front | |
| The Refugee (B) | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Refugee Camp: Armenian Refugees at Port Said | 22 June 1917 | Visual Perspectives and Narratives | Middle East | |
| Refugees on the Road from Ascq to Lille | 1919 | Visual Perspectives and Narratives | Western Front | |
| Reliefs at Dawn | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Remains of the Liquorice Factory, Kut | 13 December 1918 | A Global Conflict | Middle East | |
| Repairing a Fracture in a Torpedoed Merchant Ship | 1918 | Visual Perspectives and Narratives | War at Sea | |
| "Repairing a man of war" | 18 February 1918 | Personal Experiences | Western Front | |
| The Return of a Camel off the Frisian Coast: 11th August 1918 - "HMS Curaçao" | 1918 | Visual Perspectives and Narratives | War at Sea; War in the Air | |
| Richard Calow collection of letters about World War I aviation | n.d. | Personal Experiences | War in the Air; Western Front | |
| Richborough in Fog, 1917 | 1917 | Visual Perspectives and Narratives | Home Front | |
| Richborough, The Gantries | 1917 | Visual Perspectives and Narratives | Home Front | |
| Rigid 26 | 1918 | Visual Perspectives and Narratives | War in the Air | |
| "Rigids" At Pulham, 1918. R23 Type British Airships at Pulham St Mary, Norfolk | 1918 | Visual Perspectives and Narratives | Home Front | |
| Risaldar, Guides Cavalry (Pathan) | 1914-1918 | Visual Perspectives and Narratives | Middle East | |
| The River Front, Kut, Mesopotamia | 1919 | Visual Perspectives and Narratives | Middle East | |
| River Tigris at Ctesiphon Drawn in an Aeroplane, 1919 | 1919 | A Global Conflict | Middle East | |
| RN Armoured Car Squadron: Transport of Wounded on the Turkish Front | 1918 | Visual Perspectives and Narratives | Middle East | |
| RN Armoured Car Squadron: Winter Transport of Wounded at Alexandrovsk | 1918 | Visual Perspectives and Narratives | Eastern Front | |
| RN Hospital Ship Somali off Cape Helles, 1915: Walking Cases Coming on Board | 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea | |
| RND Crystal Palace, 1916. The Spot Known As The Quarter-deck | 1916 | Visual Perspectives and Narratives | Home Front | |
| The RNR Skipper | 1918 | Visual Perspectives and Narratives | War at Sea | |
| RNVR Crystal Palace, 1917 | 1917 | Visual Perspectives and Narratives | Home Front | |
| The Road from Arras to Bapaume | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Road Officer: A Heavy Battery Changing Position at Night in Open Ground Near the Line. The Road Officer | 1918 | Visual Perspectives and Narratives | ||
| Rosyth, 1918: The Principal Base of the Grand Fleet | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Round 'The Pimple' Towards Miraumont 1917 | n.d. | Visual Perspectives and Narratives | Western Front | |
| Ruhleben Prison Camp : The queue for bread from Denmark | 5 December 1916 | A Global Conflict | Western Front | |
| Ruhleben Prison Camp: The Distribution of Parcels from Home | n.d. | A Global Conflict | Western Front | |
| Ruhleben Prison Camp: Slaves of the ring | 1916 | A Global Conflict | Western Front | |
| Ruhleben Prison Camp: 'Trafalgar Square' | 1917 | A Global Conflict | Western Front | |
| Ruined Bridge, France c.1915 | 1915 | Visual Perspectives and Narratives | Western Front | |
| Ruined Country: Old Battlefield, Vimy, near La Folie Wood | 1918 | Visual Perspectives and Narratives | Western Front; War in the Air | |
| A Ruined Village Near Ypres | 1919 | Visual Perspectives and Narratives | Western Front | |
| Ruins at Mikesse on the Central Railway near Dar-es-Salaam, East Africa | 1916 | A Global Conflict | Africa | |
| Ruins Between Bernafay Wood and Maricourt | 1918 | Visual Perspectives and Narratives | Western Front | |
| "Ruins of Arras Cathedral" | 29 May 1919 | Personal Experiences | Western Front | |
| Ruins of the Church, Foncquevillers | n.d. | Visual Perspectives and Narratives | Western Front | |
| Ruins of Gaza, Egypt | 1919 | Visual Perspectives and Narratives | Middle East | |
| Ruins, Ypres | n.d. | Visual Perspectives and Narratives | Western Front | |
| Russian Soldiers Dancing with Peasant Women | 1919 | Visual Perspectives and Narratives | Eastern Front | |
| "Sacrifice": Study for the Painting in Ottawa | 1918 | Visual Perspectives and Narratives | ||
| Sagrado on the Isonzo | n.d. | A Global Conflict | Italian Front | |
| The Sahara of War: Nieuport Sand-dunes | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Sailor on the Bridge | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Salonica. The Fire: The Last Phase | 1917 | Visual Perspectives and Narratives | War in the Air | |
| Salonica: After the Fire | 21 August 1917 | A Global Conflict | Balkans | |
| Salonica: The Great Fire: The Famous White Tower in the Foreground | 1917 | Visual Perspectives and Narratives | War in the Air | |
| The Salt Lake, Suvla Bay: The Advance of 21st August 1915 | 21 August 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea | |
| Samarra, Mesopotamia: Seen from an Aeroplane | 1919 | A Global Conflict | Middle East | |
| Samarra, Mesopotamia: Seen from an Aeroplane | 1919 | Visual Perspectives and Narratives | Middle East | |
| Sanctuary Wood, May 1920 | May 1920 | Visual Perspectives and Narratives | Western Front | |
| Scapa Flow, Orkney, From the Signal Station, 1917 | 1917 | Visual Perspectives and Narratives | War at Sea | |
| Scene at a Clyde Shipyard. (Messrs Beardmore & Co) | 1919 | Visual Perspectives and Narratives | Home Front | |
| The Schwaben Redoubt | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Scottish Women's Hospital: In The Cloister of the Abbaye at Royaumont. Dr. Frances Ivens Inspecting a French Patient | 1920 | Visual Perspectives and Narratives | Western Front | |
| The Sea of Galilee: Aeroplanes Attacking Turkish Boats, 1919 | 1919 | Visual Perspectives and Narratives | Middle East | |
| The Seaplane Station, Scapa Flow, Orkney | 1917 | Visual Perspectives and Narratives | War in the Air | |
| Seaplane-carrying Ship Riviera off Imbros | 1914-1918 | Visual Perspectives and Narratives | War in the Air; War at Sea; Middle East | |
| Seaplanes Bombing the Railway at El-Afule: A Sketch From Mt Carmel | 1914-1918 | Visual Perspectives and Narratives | War in the Air; War at Sea; Middle East | |
| A Searchlight Patrol on the Great Bitter Lake | n.d. | A Global Conflict | Middle East | |
| Second Study for the Staff Train At Charing Cross Station (No 1881) | 1918 | Visual Perspectives and Narratives | Home Front | |
| Sedd-el-Bahr: The transport "River Clyde" at the corner of the Spit, and salvage steamers standing by to refloat her | 1919 | A Global Conflict | Middle East | |
| Self-Portrait | 1917 | Visual Perspectives and Narratives | ||
| Serb Camp, Mikra Bay | 2 October 1916 | A Global Conflict | Balkans | |
| Sergeant Mottershead, VC, DCM, Royal Flying Corps | 1918 | Visual Perspectives and Narratives | War in the Air | |
| A Shell Bursting, Passchendaele | 1918 | Visual Perspectives and Narratives | Western Front | |
| A Shell Dump, France | 1918 | Visual Perspectives and Narratives | Western Front | |
| A Shell Forge at a National Projectile Factory, Hackney Marshes, London, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| Shell-Making, Edinburgh | 1919 | Visual Perspectives and Narratives | Home Front | |
| Ships in No. 1 Basin | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Shoeing Under Difficulties, The Jordan Valley: Field Forge in the Jordan Valley Shoeing 'Jimmy' | 1918 | Visual Perspectives and Narratives | Middle East | |
| Shop for Machining 15-Inch Shells: Singer Manufacturing Company, Clydebank, Glasgow, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Sick Bay: Queen Mary's Army Auxiliary Corps Camp 1, Dieppe | n.d. | Visual Perspectives and Narratives | Western Front | |
| Sick Parade: British Labour Corps, Indian Troops, Chinese Labour Corps. and German Prisoners of War, Menin Road Aid Post Ypres | 1919 | A Global Conflict;Visual Perspectives and Narratives | Western Front | |
| Siege of Kut-el-Amara Seen From the Air, 1919. British Maurice-Farman Aeroplane Approaching, Attacked by Enemy Fokker | 1919 | Visual Perspectives and Narratives | Middle East; War in the Air | |
| Sikh Sappers repairing a Bridge | 25 November 1918 | A Global Conflict | Middle East | |
| The Silk Bazaar, Damascus: Australians buying goods | 5 October 1918 | A Global Conflict | Middle East | |
| The Silver Queen, Wormwood Scrubs, 1915. One of the Original 'Blimps' | 1915 | Visual Perspectives and Narratives | Home Front; War in the Air | |
| Sinking of the Triumph Near Kaba Tepe, May 25th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Skating Rink Converted To Sleeping Quarters | 1916 | A Global Conflict | Home Front | |
| Sketch Book Dated 6 Juillet 1917 | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sketch for 'Flying Above Kirkuk, Kurdistan, 1919' | 1919 | A Global Conflict | Middle East | |
| Sketch for 'Flying Above Kirkuk, Kurdistan, 1919' | 1919 | A Global Conflict | Middle East | |
| Sketch for The Mule Track | 1918 | Visual Perspectives and Narratives | Western Front | |
| Sketch for the Royal Field Artillery In Macedonia (No 2625) | n.d. | A Global Conflict | Balkans | |
| Sketch for Spring in the Trenches | 1918 | Visual Perspectives and Narratives | Western Front | |
| A Sketch in Portsmouth Harbour | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Sketch of Soldiers Arriving on Leave | 1918 | Visual Perspectives and Narratives | Home Front | |
| Sketch of the Table in the Hall Of Mirrors, at Which the Treaty of Versailles was Signed | 1919 | Visual Perspectives and Narratives | Western Front | |
| Sketch-book Containing Drawings Done at Portsmouth [Court] | n.d. | Visual Perspectives and Narratives | ||
| Sketch-book Containing Drawings Done at Portsmouth [Court] | n.d. | Visual Perspectives and Narratives | ||
| Sketch-book Containing Drawings Done at Portsmouth [Ruined Buildings] | n.d. | Visual Perspectives and Narratives | ||
| Sketchbook (Tree) | 1914-1918 | Visual Perspectives and Narratives | ||
| Sketches of Royal Canadian Army Service Corps (RCASC) | 1945 | A Global Conflict | ||
| Sketches of Suvla, Mitelene, Mudros and Salonika in 1915 | 1915-1919 | A Global Conflict | Gallipoli | |
| Sleeping Rooms | 19 October 1915 | Visual Perspectives and Narratives | ||
| The Sling. A Little Journal published by the boys of a Canadian Field Ambulance, Numbers 1, 2 | January-October 1917 | Personal Experiences | Western Front | |
| The Smoke Screen: Destroyers Throwing a Smoke Screen Around Hospital Ship "Karapara" After Hospital Ship "Dover Castle" Had Been Torpedoed by an Enemy Submarine | 1919 | Visual Perspectives and Narratives | War at Sea | |
| Soldiers All: Portraits and Sketches of the Men of the A.E.F | 1920 | Personal Experiences | ||
| Soldiers and a Cannon | 1915 | Visual Perspectives and Narratives | Western Front | |
| The Soldiers' Buffet, Charing Cross Station, 1918 | 1918 | Visual Perspectives and Narratives | Home Front | |
| Soloveski: The Church Within the Monastery Walls | 1919 | Visual Perspectives and Narratives | Eastern Front | |
| Some Civilian Casualties at the Main Dressing-Station of the 36th Field Ambulance, Flines-les-Raches, October 1918 | October 1918 | Visual Perspectives and Narratives | Western Front | |
| The Somme at Péronne | n.d. | Visual Perspectives and Narratives | Western Front | |
| Somme Storm | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Somme: A Clear Day. View From the British Trenches Opposite La Boisselle, Showing German Front Line and Mine Craters | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sommeschlacht I – Titelradierung [Title Etching] | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sommeschlacht II – Auf Posten [On Sentry Duty] | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sommeschlacht III – Nahkampf [Hand-to-hand Combat] | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sommeschlacht IV – Granateinschlag [Exploding Shell] | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sommeschlacht V – Verwundetentransport [Transporting the Wounded] | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sommeschlacht VI – Marschierende Kompanie [Company on the March] | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sommeschlacht VII – Soldaten beim Schanzen [Soldiers Digging a Trench] | 1917 | Visual Perspectives and Narratives | Western Front | |
| Sopwith Camel Patrol Attacking an Austrian Aerodrome near Sacile, Italy | 1918 | Visual Perspectives and Narratives | Italian Front | |
| Sopwith Camel Patrol Attacking Austrian Troops Retreating Along the Road to Udine, Italy 1918 | 1918 | A Global Conflict;Visual Perspectives and Narratives | Italian Front | |
| South-West end of Boulevard, Baku | 1919 | A Global Conflict | Middle East | |
| Southampton Water | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Special Surgical Hospital at the 'Star And Garter', Richmond: The Ball Room | 1918 | Visual Perspectives and Narratives | Home Front | |
| Spotting for Chatham, Bombarding Shuandere, Maghram and Achi Baba, July 10th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Spotting for HMS Lord Nelson and Triumph, Bombarding Chanak Forts and Quays, April 30th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Spotting for Queen Elizabeth, 11.15am, April 27th 1915 | 27 April 1915 | A Global Conflict | Gallipoli | |
| Spotting for Queen Elizabeth, 12 Mid-day, April 27th 1915 | 27 April 1915 | A Global Conflict | Gallipoli | |
| Spotting for Queen Elizabeth, Backing Up the Australian Attack, Attempt to Seize Kaba Tepe, 5.30am, May 4th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Spotting for Queen Elizabeth's 6-inch Guns, About 10.45am, May 9th 1915 | 9 May 1915 | A Global Conflict | Gallipoli | |
| Spotting for Triumph and Bacchante, 4pm, May 9th 1915 | 9 May 1915 | A Global Conflict | Gallipoli | |
| Spotting for Triumph off X - Y Beaches, April 28th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Spring in the Trenches, Ridge Wood, 1917 | 15 July 1918 | Visual Perspectives and Narratives | Western Front | |
| SS Lackawanna | 1918 | Visual Perspectives and Narratives | Home Front; War at Sea | |
| SS River Clyde and the Bridge of Boats at Helles, 1915 | 1915 | Visual Perspectives and Narratives | War at Sea; Middle East | |
| St David's Well, Snevice, Macedonia | 1914-1918 | Visual Perspectives and Narratives | Eastern Front | |
| St George and the Dragon: Zeppelin L15 in the Thames, April 1916 | April 1916 | Visual Perspectives and Narratives | Home Front; War in the Air | |
| St George for England: British Seaplanes Bombing the Turks at Ramleh, Burial-place of St. George | 1916 | A Global Conflict;Visual Perspectives and Narratives | Middle East | |
| St Jacques Church, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| St James' Park: Temporary Government Buildings. From the Foreign Office | 1918 | Visual Perspectives and Narratives | Home Front | |
| St Jean | 1914-1918 | Visual Perspectives and Narratives | ||
| "Stand To!" The Journal of the 20th (S) Battalion: "The Duke of Cambridge's Own" the Middlesex Regt. "The Die Hards", Number 1 | May 1916 | Personal Experiences | ||
| "Station Erection" | 1919 | Personal Experiences | Western Front | |
| The Steam Laundry, Abbeville | n.d. | Visual Perspectives and Narratives | Western Front | |
| The Steel Converter at Woolwich Arsenal: The Tropenas Steel Converters at Work in the Royal Laboratory Shell Foundry at Woolwich Arsenal | 1919 | Visual Perspectives and Narratives | Home Front | |
| Still Spotting for Gunfire, 6.40pm, April 28th 1915 | 1915 | A Global Conflict | Gallipoli | |
| Storm and Rainbow, Symbol for Near End of War 1918 | 23 August 1918 | A Global Conflict | Middle East | |
| Strange Signals | 1919 | A Global Conflict | Middle East | |
| The Straw Ride: Russley Park Remount Depôt, Wiltshire | 1919 | Visual Perspectives and Narratives | Home Front | |
| Streaming the PVs: Paravanes Enable a Ship to Go Through Mines in Almost Complete Safety | 1919 | Visual Perspectives and Narratives | War at Sea | |
| A Street in Arras | August 1918 | Visual Perspectives and Narratives | Western Front | |
| A Street in Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| Stretcher-Bearer in Difficulties | 1919 | Visual Perspectives and Narratives | ||
| Study for 'The Dead Sea: An Enemy Aeroplane over the Dead Sea, Palestine' | 1919 | A Global Conflict;Visual Perspectives and Narratives | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, 1919' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, 1919' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, Syria' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, Syria' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, Syria' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, Syria' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, Syria' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, Syria' | 1919 | A Global Conflict | Middle East | |
| Study for 'A Destroyed Turkish Aerodrome at Rayak, Lebanon, Syria' | 1919 | A Global Conflict | Middle East | |
| Study for 'Flying Over the Desert at Sunset, Mesopotamia, 1919' | 1919 | A Global Conflict | Middle East | |
| Study for 'Over the Top' | 1918 | Visual Perspectives and Narratives | Western Front | |
| A Study of Soldiers and Mules | 1914-1918 | Visual Perspectives and Narratives | ||
| Submarines | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Submarines | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Suez Canal Defences | 1916 | A Global Conflict | Middle East | |
| Suez: HM Transports 'Ekma' and 'Elephanta' | 1914-1918 | Visual Perspectives and Narratives | War at Sea; Middle East | |
| Suicide Corner, Ypres | 1914-1918 | Visual Perspectives and Narratives | Western Front | |
| The Sunken Road Ransart | 1918 | Visual Perspectives and Narratives | Western Front | |
| Sunrise, Inverness Copse | 1918 | Visual Perspectives and Narratives | Western Front | |
| Sunset: Ruin of the Hospice, Wytschaete | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Superintendant Posting a Sister for Service: the Grand Priory of the Order of St John of Jerusalem in England, St John's Gate, Clerkenwell, EC | 1918 | Visual Perspectives and Narratives | Home Front | |
| The Surrender of the 'Goeben': Passing the German Embassy, Constantinople, Flying the White Flag | 1919 | Visual Perspectives and Narratives | War at Sea | |
| The Surrender of Pujos Gora, 1919 | 1919 | Visual Perspectives and Narratives | Eastern Front | |
| Taking it Easy | 3 June 1916 | Visual Perspectives and Narratives | ||
| A Tank | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Tank | 1917 | Visual Perspectives and Narratives | Western Front | |
| Tank named Sammy | 16 April 1917 | Personal Experiences | Western Front | |
| Tanks | 1917 | Visual Perspectives and Narratives | Western Front | |
| A Tarpaulin over a Dug-out, Ransart | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Tenedos Times. A monthly journal of the Mediterranean destroyer flotilla during the early part of the war | 1917 | Personal Experiences | War at Sea | |
| Tents | 1914-1918 | Visual Perspectives and Narratives | ||
| Tents | 1914-1918 | Visual Perspectives and Narratives | ||
| "Termonde" | n.d. | Personal Experiences | Western Front | |
| The Terms of the Armistice, 3rd and 4th November, 1918 | October 1918 | Visual Perspectives and Narratives | Western Front | |
| "There is a face I seem to see..." | 22 December 1917 | Personal Experiences | Western Front | |
| Thiepval | 1917 | Visual Perspectives and Narratives | Western Front | |
| Thiepval | 1918 | Visual Perspectives and Narratives | Western Front | |
| Thiepval Wood | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Thistle. Scottish Women's Hospitals for Foreign Service Souvenir Book, Volume 1 | November 1916 | Personal Experiences | Western Front | |
| The Thistle. Scottish Women's Hospitals for Foreign Service Souvenir Book, Volume 2 | November 1917 | Personal Experiences | Western Front | |
| Thou Shalt Not Steal | 1918 | Visual Perspectives and Narratives | Western Front | |
| Three printed b&w images issued by F.E. Lockwood, Argyle Street, Derby | n.d. | Personal Experiences | Home Front; Western Front | |
| Three Studies of Flying Aircraft, Italy, 1918 | 1918 | A Global Conflict | Italian Front | |
| A Torpedoed American Troopship Sinking | 1918 | Visual Perspectives and Narratives | War at Sea | |
| The Town of Gallipoli | n.d. | A Global Conflict;Visual Perspectives and Narratives | Gallipoli | |
| Travoys Arriving with Wounded at a Dressing-Station at Smol, Macedonia, September 1916 | 1919 | Visual Perspectives and Narratives | Eastern Front | |
| Trench | n.d. | Visual Perspectives and Narratives | Western Front | |
| Treslon: An Aid Post | 1918 | Visual Perspectives and Narratives | Western Front | |
| Troops Embarking at Southampton for the Western Front, 1917 | 1917 | Visual Perspectives and Narratives | Home Front | |
| Troops Landing on C Beach, Suvla Bay: Later in the Day, 7th August 1915 | 7 August 1915 | Visual Perspectives and Narratives | Gallipoli; War at Sea | |
| Tul Keram: A Retreating Turkish Column Bombed and Machine-Gunned by Airmen in the Defile at Tul Keram, 26th September 1918 | 26 September 1918 | Visual Perspectives and Narratives | Middle East; War in the Air | |
| The Turkish Railway Base at Rayak, Lebanon | n.d. | Visual Perspectives and Narratives | Middle East | |
| Turkish Spies: An Intelligence Officer interrogating two spies | 4 March 1918 | A Global Conflict | Middle East | |
| Two British Planes Attacking the Turkish Army Corps in the Gorge of the Wadi Baroda, Lebanon, 30 September 1918 | 1 February 1919 | Visual Perspectives and Narratives | Middle East; War in the Air | |
| A Two Year-old Steel Works, 1918: Erected During the War for Messrs. Steel, Peech and Tozer, Ltd., Phoenix Works, Sheffield | 1918 | Visual Perspectives and Narratives | Home Front | |
| A Type of Army Horse: NCO's Rider | 1914-1918 | Visual Perspectives and Narratives | ||
| Typists in the Office of the Deputy Controller: Queen Mary's Army Auxiliary Corps Rouen: Workers Campbell and Pride | n.d. | Visual Perspectives and Narratives | Western Front | |
| Tyre: Seaforth Highlanders Resting in Their March North to Beyrout | 30 October 1918 | Visual Perspectives and Narratives | Middle East | |
| Ulster, No Surrender | 1914-1918 | Visual Perspectives and Narratives | ||
| Uncaptioned (German drawing/cartoon) | 15 December 1917 | Personal Experiences | Western Front | |
| The Underworld: Taking Cover in a Tube Station During a London Air Raid | 1918 | Visual Perspectives and Narratives | Home Front | |
| Untitled – A Monitor | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Untitled – Seascape with Convoy and Evening Sky Effect | 1918 | Visual Perspectives and Narratives | War at Sea | |
| Usine des Faulx (Fraize) | 5 September 1914 | Personal Experiences | Western Front | |
| A VAD Motor Driver | 1918 | Visual Perspectives and Narratives | ||
| VAD Territorial Force | 1918 | Visual Perspectives and Narratives | ||
| Val De Grâce Hospital, Paris: The Interior of a Ward | 1918 | Visual Perspectives and Narratives | Western Front | |
| Valve Testing: The Signal School, RN Barracks, Portsmouth | 1919 | Visual Perspectives and Narratives | Home Front; War at Sea | |
| "Versailles" | 1917 | Personal Experiences | Western Front | |
| The Veterinary Hospital: Farriers At Work | 7 June 1917 | Visual Perspectives and Narratives | Middle East | |
| The Veterinary Hospital: A New Case: the surgeon is discussing its treatment with his sergeant-major | 6 June 1917 | A Global Conflict | Middle East | |
| Viaduct over the Isonzo, on Cormons-Gorizia Line | n.d. | A Global Conflict | Italian Front | |
| Victoria Station 1918: The Green Cross Corps (Women's Reserve Ambulance) Guiding Soldiers on Leave | 1919 | Visual Perspectives and Narratives | Home Front | |
| Victoria Station, District Railway | 1918 | Visual Perspectives and Narratives | Home Front | |
| A View from British Front Line on the Slopes of Monte Kaberlaba: Asiago in the middle distance with Austrian trenches on Monte Catz | n.d. | A Global Conflict | Italian Front | |
| View from HMS Manica: 9.30pm, April 26th 1915 | 26 April 1915 | A Global Conflict | Gallipoli | |
| A View of Hit, Euphrates | n.d. | A Global Conflict | Middle East | |
| View of a POW Camp, Isle of Man, 1915-1919 | 1 May 1918 | A Global Conflict | Middle East | |
| "Village on the Somme: Tout à fait démoli" | 28 May 1919 | Personal Experiences | Western Front | |
| Village: Evening | 1917 | Visual Perspectives and Narratives | Western Front | |
| The Vision of St George Over the Battlefield | 1 October 1915 | Visual Perspectives and Narratives | Western Front | |
| Vittnena i m llet Elsass Lothringen (Leaflet) | n.d. | Personal Experiences | ||
| Vlamertinghe Mill Dressing-Station | n.d. | Visual Perspectives and Narratives | Western Front | |
| Voici Encore Un Boche': Behind the British Front | n.d. | Visual Perspectives and Narratives | ||
| Void of War | 1918 | Visual Perspectives and Narratives | Western Front | |
| Voluntary Land Workers in a Flax-field, Podington, Northamptonshire | 1919 | Visual Perspectives and Narratives | Home Front | |
| Volunteers Drilling in the Courtyard Of Burlington House | 1915 | Visual Perspectives and Narratives | Home Front | |
| The Wadi Ali: One of the three passes by which access to the Judaean Plateau is possible | 1917 | A Global Conflict | Middle East | |
| The Wadi Fara, Palestine | 1919 | Visual Perspectives and Narratives | Middle East | |
| The Wake. HMS Courageous at Top Speed | January 1918 | Visual Perspectives and Narratives | War at Sea | |
| War Drawings By Muirhead Bone: Albert Church – After Bombardment by the Germans | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Amiens Cathedral | 1918 | Visual Perspectives and Narratives | Western Front; War in the Air | |
| War Drawings By Muirhead Bone: The Battle of the Somme | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Bend of the River Somme Near Corbie | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Château near Brie on the Somme | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Château, Foucaucourt | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: A Dead Tank | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Déniécourt Château, Estrées | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Distant View of Ypres | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Erecting Aeroplanes | 1918 | Visual Perspectives and Narratives | Home Front | |
| War Drawings By Muirhead Bone: F.M. Sir Douglas Haig G.C.B., G.C.V.O., K.C.I.E., A.D.C. | 1918 | Visual Perspectives and Narratives | ||
| War Drawings By Muirhead Bone: The Fight for Lens, from Nôtre Dame de Lorette | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Foucaucourt | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: A German H.Q | 1918 | Visual Perspectives and Narratives | ||
| War Drawings By Muirhead Bone: Good Quarters | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Gordon Highlanders: Officer’s Mess | 1918 | Visual Perspectives and Narratives | ||
| War Drawings By Muirhead Bone: Grand Place and Ruins of the Cloth Hall, Ypres | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Great Crater, Athies | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Guards Mustering for a Royal Review Behind the Somme | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: A Gun Hospital | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Herbécourt Church | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: In the Santerre | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: "Inconnu" | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Loos Salient and Burning Lens | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Men of the R.F.A. Cleaning their Guns | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Mounting a Great Gun | 1918 | Visual Perspectives and Narratives | ||
| War Drawings By Muirhead Bone: A Naval Panorama | 1918 | Visual Perspectives and Narratives | War at Sea | |
| War Drawings By Muirhead Bone: The Night Picket | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: On the Somme, R.F.C. Men Building Their Winter Hut | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Panorama from the Scherpenberg Looking to Wytschaete, Messines and Kemmel | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Quarry near Mouquet Farm | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Rollencourt Château | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Rouen | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Rouen from the Deck of a Hospital Ship | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Ruins near Arras | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Ruins of Ypres – Cloth Hall In Distance | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Seven Cranes | 1918 | Visual Perspectives and Narratives | Home Front | |
| War Drawings By Muirhead Bone: Spring in Rollencourt Village | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: A Stable on the Western Front | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Taking the Wounded | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Tanks | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Town Hall, Péronne | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Untilled Fields | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: A Via Dolorosa, Mouquet Farm | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: A Village on the Somme | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: The Virgin of Montauban | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Waiting for the Wounded | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Watching our Artillery Fire on Trônes Wood from Montauban | 1918 | Visual Perspectives and Narratives | Western Front | |
| War Drawings By Muirhead Bone: Welsh Soldiers | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Water Point, Villers-Brettoneux | n.d. | Visual Perspectives and Narratives | Western Front | |
| We are Making a New World | 1918 | Visual Perspectives and Narratives | Western Front | |
| The Wells at Samaria: Indian Troops Fetching Water During the Advance | 22 September 1918 | Visual Perspectives and Narratives | Middle East |